Human body
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DREAMS AT SEA - Sea & Nature
Oswin Gesselli
Painting - 80 x 80 x 4 cm Painting - 31.5 x 31.5 x 1.6 inch
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Un grand appétit
Arthur Di Nunzio
Photography - 105 x 70 x 0.3 cm Photography - 41.3 x 27.6 x 0.1 inch
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Unstoppable
Judith Christine Riemer
Painting - 70 x 100 x 2 cm Painting - 27.6 x 39.4 x 0.8 inch
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Etude de nu
Lionel le Jeune
Fine Art Drawings - 29.7 x 21 x 0.2 cm Fine Art Drawings - 11.7 x 8.3 x 0.1 inch
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Nus de Harlem 2, ( Triptych/ Triptyque )
Marian Williams
Painting - 25 x 75 x 3 cm Painting - 9.8 x 29.5 x 1.2 inch
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Nus de Harlem 4, ( Triptych/ Triptyque )
Marian Williams
Painting - 25 x 75 x 3 cm Painting - 9.8 x 29.5 x 1.2 inch
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Nus de Harlem 1, ( Triptych/ Triptyque )
Marian Williams
Painting - 25 x 75 x 3 cm Painting - 9.8 x 29.5 x 1.2 inch
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Nus de Harlem 3, ( Triptych/ Triptyque )
Marian Williams
Painting - 25 x 75 x 3 cm Painting - 9.8 x 29.5 x 1.2 inch
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Belisama Etincelante
Philippe Buil
Sculpture - 49 x 40 x 16 cm Sculpture - 19.3 x 15.7 x 6.3 inch
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Female/ male nude & nature: I'll be there
Oswin Gesselli
Painting - 100 x 80 x 2.5 cm Painting - 39.4 x 31.5 x 1 inch
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The sounds of a flying bird
Vasyl Khodakivskyi
Painting - 90 x 80 x 2 cm Painting - 35.4 x 31.5 x 0.8 inch
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Nude & Nature FREE YOUR MIND
Oswin Gesselli
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
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Nude - FOR YOUR EYES ONLY
Oswin Gesselli
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
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Vela en Bronze
Tiziano Sculpteur
Sculpture - 44 x 26 x 18 cm Sculpture - 17.3 x 10.2 x 7.1 inch
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A' corps Parfaits
Jessie Raveleau
Painting - 100 x 81 x 1.5 cm Painting - 39.4 x 31.9 x 0.6 inch
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270) Emanation radieuse de la Venus de Lespugne
Isis Bi-M
Sculpture - 30 x 13 x 8 cm Sculpture - 11.8 x 5.1 x 3.1 inch
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Take me to the sea
Oswin Gesselli
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
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Scivolata en Marbre
Tiziano Sculpteur
Sculpture - 44 x 33 x 15 cm Sculpture - 17.3 x 13 x 5.9 inch
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Self-Knowledge
Kristina Malashchenko
Painting - 70 x 100 x 1 cm Painting - 27.6 x 39.4 x 0.4 inch
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Petit Bonhomme Rouge
Henri Iglésis
Sculpture - 70 x 54 x 11 cm Sculpture - 27.6 x 21.3 x 4.3 inch
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L’ange vase
Niki de Saint Phalle
Sculpture - 100 x 52 x 37 cm Sculpture - 39.4 x 20.5 x 14.6 inch
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Contemplating the Inarticulate
Dima Filatov
Painting - 73 x 121 x 0.5 cm Painting - 28.7 x 47.6 x 0.2 inch
$606
Fragmentation - Planète Terre
Claude Laffaye
Painting - 20 x 20 x 2 cm Painting - 7.9 x 7.9 x 0.8 inch
$168
Gárgara detail III
Léa Bon
Photography - 9.9 x 15 x 0.3 cm Photography - 3.9 x 5.9 x 0.1 inch
$3,000
Tiempo nuestro (from Porfolio Grabados Cubanos)
Ernesto Garcia Peña
Print - 59.7 x 44.7 cm Print - 23.5 x 17.6 inch
$500
Clase de dibujo primer día
Fernando Aceves Humana
Print - 45 x 56.9 cm Print - 17.7 x 22.4 inch
$250
Déesse de Paris
Valentin Savtcheko
Painting - 65 x 81 x 2 cm Painting - 25.6 x 31.9 x 0.8 inch
$2,468
Carmen #3
José Pirès
Fine Art Drawings - 24 x 10 x 0.5 cm Fine Art Drawings - 9.4 x 3.9 x 0.2 inch
$471
Model in the studio
Dima Filatov
Painting - 73 x 121 x 0.5 cm Painting - 28.7 x 47.6 x 0.2 inch
$651
Mujer al trasluz
Ernest Carneado Ferreri
Painting - 65 x 54 x 2 cm Painting - 25.6 x 21.3 x 0.8 inch
$1,010
Looking for the past
Stefan Hadzi Nikolov
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
$1,627
Ilori 3 (Put To Bed)
Janet Adebayo
Painting - 91.4 x 91.4 x 2.5 cm Painting - 36 x 36 x 1 inch
$1,990
Glistening adornment
Lisbeth Buonanno
Painting - 30 x 30 x 1.8 cm Painting - 11.8 x 11.8 x 0.7 inch
$841
L'ancienne machine à laver - Portrait de femme
Henry Prost
Painting - 70 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
$1,683
Reflexion - Portrait de femme
Henry Prost
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$1,896
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.