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Repos II - série oiseaux
Henry Ausloos
Photography - 40 x 80 x 0.1 cm Photography - 15.7 x 31.5 x 0 inch
$1,543
Free Spirit nº1
Pierre Cherix
Photography - 70 x 50 x 0.2 cm Photography - 27.6 x 19.7 x 0.1 inch
$505
Antarès - série Coque de bateaux
Sylvie Le Pape dite Khali
Painting - 70 x 50 x 1 cm Painting - 27.6 x 19.7 x 0.4 inch
$701
Abstraction urbaine #5
Guillaume Chevallard
Photography - 49 x 69 x 2.9 cm Photography - 19.3 x 27.2 x 1.1 inch
$1,346
Insta(nt)llation - Completion. 1/ 3
Eszter Poroszlai
Photography - 30 x 30 x 3 cm Photography - 11.8 x 11.8 x 1.2 inch
$1,178
Recherche de motifs 14
François Azambourg
Painting - 226 x 94 x 0.1 cm Painting - 89 x 37 x 0 inch
$1,795
El mundo de los vivos - The real world
Ofill Echevarria
Print - 52.1 x 72.4 cm Print - 20.5 x 28.5 inch
$900
Cool chilling 2
Oshorenoya David Francis
Painting - 114.3 x 114.3 x 2.5 cm Painting - 45 x 45 x 1 inch
$1,200
Falling down the social slope
Catalina Vasiliu
Painting - 70 x 55 x 1.2 cm Painting - 27.6 x 21.7 x 0.5 inch
$1,257
The dark side of the light
Jérôme Garrido
Painting - 100 x 100 x 2.5 cm Painting - 39.4 x 39.4 x 1 inch
$954
Paranoïd #11
David De Beyter
Photography - 30 x 41 x 0.2 cm Photography - 11.8 x 16.1 x 0.1 inch
$393
Woman
Simon Goldberg
Fine Art Drawings - 12 x 15 x 0.1 cm Fine Art Drawings - 4.7 x 5.9 x 0 inch
$337
Manufactura 3
Oriol Texidor
Photography - 40 x 50 x 7 cm Photography - 15.7 x 19.7 x 2.8 inch
$1,414
Decoration
Tako Chanchaleishvili
Fine Art Drawings - 20 x 41 x 0.1 cm Fine Art Drawings - 7.9 x 16.1 x 0 inch
$617
Signature 16
Catherine Cazau
Fine Art Drawings - 50 x 45 cm Fine Art Drawings - 19.7 x 17.7 inch
$595
8 actos de genuflexión
Ana Pérez Pereda
Sculpture - 200 x 20 x 8 cm Sculpture - 78.7 x 7.9 x 3.1 inch
$1,346
Rievocazione michelangiolesca
Massimiliano Carisdeo
Painting - 50 x 70 x 2 cm Painting - 19.7 x 27.6 x 0.8 inch
$673
Aux abords de la maison
Francois Priser
Painting - 81 x 100 x 2 cm Painting - 31.9 x 39.4 x 0.8 inch
$2,693
Migration
Vakhtang Khelashvili
Fine Art Drawings - 23 x 32 x 0.1 cm Fine Art Drawings - 9.1 x 12.6 x 0 inch
$3,366 $2,861
Le trait - 04
Ludovica Cholet
Fine Art Drawings - 40 x 30 x 0.5 cm Fine Art Drawings - 15.7 x 11.8 x 0.2 inch
$673
Figure Sketch
Robert Goodnough
Fine Art Drawings - 30.5 x 40.6 x 0.3 cm Fine Art Drawings - 12 x 16 x 0.1 inch
$1,500
Quatre quadrilatères 508
Anneke Klein-Kranenbarg
Sculpture - 25 x 25 x 3.5 cm Sculpture - 9.8 x 9.8 x 1.4 inch
$1,346
Le Sacré coeur - Paris et son architecture
Lucien Dufour
Painting - 65 x 92 x 2 cm Painting - 25.6 x 36.2 x 0.8 inch
$2,104
Fille aux sacs poubelles
Eugenia Jaeger
Fine Art Drawings - 50 x 70 cm Fine Art Drawings - 19.7 x 27.6 inch
$898
Appareil photo blanc
Les Frères Guinet
Sculpture - 9 x 15 x 10 cm Sculpture - 3.5 x 5.9 x 3.9 inch
$1,795
Juliette and her Greyhound - Dog sitter - Fashion
Artemisia Fine Art
Fine Art Drawings - 54.9 x 54.9 x 5.1 cm Fine Art Drawings - 21.6 x 21.6 x 2 inch
$1,100
Extrapolation 4
Guillaume Lachapelle
Sculpture - 22.9 x 17.8 x 10.2 cm Sculpture - 9 x 7 x 4 inch
$2,132
No name, Painting, Oil on canvas
Asher Topel
Painting - 100.1 x 50 x 3 cm Painting - 39.4 x 19.7 x 1.2 inch
$1,900
El tigre y las cabras con retrete /le tigre et les chèvres avec toilettes
Julio Alonso Yañez
Sculpture - 23 x 22 x 18 cm Sculpture - 9.1 x 8.7 x 7.1 inch
$1,010
Cold Summits Vision
Gudmundur Sigurdsson
Painting - 60.5 x 60.5 x 4 cm Painting - 23.8 x 23.8 x 1.6 inch
$5,217
Flower
Pavlos Dionyssopoulos
Fine Art Drawings - 20 x 13.5 x 0.2 cm Fine Art Drawings - 7.9 x 5.3 x 0.1 inch
$785
Florida Sunshine
Adriana Urdaneta
Painting - 76.2 x 60.96 x 3 cm Painting - 30 x 24 x 1.2 inch
$2,076
Tre linee con arabesco n. 368
Giorgio Griffa
Print - 30 x 21 x 0.1 cm Print - 11.8 x 8.3 x 0 inch
$449
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!