Colored artworks
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Hal Mayforth
Painting - 81.3 x 106.7 x 0.3 cm Painting - 32 x 42 x 0.1 inch
$5,000
Slow Moving Cold Front
Hal Mayforth
Painting - 78.7 x 106.7 x 0.3 cm Painting - 31 x 42 x 0.1 inch
$5,000
Lost in the Backyard
Hal Mayforth
Painting - 106.7 x 76.2 x 0.3 cm Painting - 42 x 30 x 0.1 inch
$5,000
Voiles au soleil levant
Stéphane Cantin
Painting - 20 x 20 x 1.5 cm Painting - 7.9 x 7.9 x 0.6 inch
$168
Sous la treille
Nadine de Lespinats
Painting - 100 x 70 x 3 cm Painting - 39.4 x 27.6 x 1.2 inch
$2,325
Voyages en Arcadie N°193
Gilbert Sabatier
Painting - 61 x 50 x 1.8 cm Painting - 24 x 19.7 x 0.7 inch
$1,621
Voyages en Arcadie N°150
Gilbert Sabatier
Painting - 50 x 40 x 1.8288 cm Painting - 19.7 x 15.7 x 0.7 inch
$1,453
Voyages en Arcadie N°124
Gilbert Sabatier
Painting - 50 x 40 x 1.8 cm Painting - 19.7 x 15.7 x 0.7 inch
$1,453
Le Grand Perrier
Pierre-François Grimaldi
Painting - 120 x 120 x 2 cm Painting - 47.2 x 47.2 x 0.8 inch
$10,621
22 Heures
Pierre-François Grimaldi
Painting - 150 x 100 x 6 cm Painting - 59.1 x 39.4 x 2.4 inch
$10,621
Trace II (Fracture XXV)
Greg Bryce
Painting - 50 x 40 x 1.5 cm Painting - 19.7 x 15.7 x 0.6 inch
$805
Girl with balloon
Patricia Gadisseur
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
$358
One with the wind
Patricia Gadisseur
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
$358
Temperatura - Tinción. From The Composition with Tools series
Jose Ricardo Contreras Gonzalez
Painting - 25.9 x 129.8 x 2.8 cm Painting - 10.2 x 51.1 x 1.1 inch
$1,900
Abstract Head Looking Right and Left. From The Head Series
Almo
Painting - 119.9 x 160 x 0.3 cm Painting - 47.2 x 63 x 0.1 inch
$7,000
Mi escondite de verano
Baptiste Laurent
Painting - 140 x 140 x 4 cm Painting - 55.1 x 55.1 x 1.6 inch
$3,466
El pastor ceno pescao
Baptiste Laurent
Painting - 140 x 140 x 4 cm Painting - 55.1 x 55.1 x 1.6 inch
$3,466
Invading #1 and #2. From The Botanical Interruption Series
Almo
Painting - 59.9 x 99.8 x 0.5 cm Painting - 23.6 x 39.3 x 0.2 inch
$2,800
Le Salon des Hessels, d’après Vuillard.
Charlotte Moore
Print - 51 x 63.5 cm Print - 20.1 x 25 inch
$671
Le Salon des Hessels, d’après Vuillard.
Charlotte Moore
Print - 63.5 x 51 cm Print - 25 x 20.1 inch
$671
Jardin d’Alexandre 4-1 Hiver
Akira Inumaru
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$3,130
Gorgeous cactus flowers
Natalya Mougenot
Painting - 42 x 29.7 x 0.1 cm Painting - 16.5 x 11.7 x 0 inch
$425
Passant Parmi Les Paroles Passagères
Francis Moreau
Painting - 46 x 61 x 3 cm Painting - 18.1 x 24 x 1.2 inch
$783
Everything's gonna be allright
Emily Starck
Painting - 58 x 52 x 0.1 cm Painting - 22.8 x 20.5 x 0 inch
$1,006
Racing Formula Twenty Three
Cosmos
Painting - 120 x 120 x 3.5 cm Painting - 47.2 x 47.2 x 1.4 inch
$6,932
Los Jardines Del Prado
Cosmos
Painting - 140 x 200 x 3.5 cm Painting - 55.1 x 78.7 x 1.4 inch
$13,304
Couleurs du soir
Victorine Follana
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$2,012
Green Everywhere (Caribbean dream)
Nestor Toro
Painting - 35.6 x 27.9 x 1.8 cm Painting - 14 x 11 x 0.7 inch
$770
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?