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Human body
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![Photography, Birth II, Cécile Baldewyns](https://media.artsper.com/artwork/512078_1_grid.jpg)
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C'est moi (Réf.255)
Jérôme Mesnager
Painting - 35 x 27 x 2 cm Painting - 13.8 x 10.6 x 0.8 inch
$783
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Image of a crouching woman (print)
Ohad Ben-Ayala
Print - 30 x 20 cm Print - 11.8 x 7.9 inch
$134 $127
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Orange Shirt Blue Sheets
Aurélien Buttin
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$559
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#10. From La Piedra Sustituta II Series
José Sierra
Photography - 101.6 x 67.6 x 0.3 cm Photography - 40 x 26.6 x 0.1 inch
$2,000
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No57 SPIRIT Series
Yevgeniy Repiashenko
Photography - 50.8 x 50.8 x 0.3 cm Photography - 20 x 20 x 0.1 inch
$878
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Vibrant célébration
Alexandre Moore Rockefeller
Painting - 109 x 125 x 0.6 cm Painting - 42.9 x 49.2 x 0.2 inch
$6,596
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Les filles de mai
Jean-Louis Mendrisse
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$4,025
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Origin of the World
Niki Singleton
Painting - 30.48 x 40.64 x 2 cm Painting - 12 x 16 x 0.8 inch
$2,832
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Genesis
Yevgeniy Repiashenko
Photography - 120 x 90 x 0.1 cm Photography - 47.2 x 35.4 x 0 inch
$2,929
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No70 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 96 x 0.1 cm Photography - 47.2 x 37.8 x 0 inch
$2,929
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No10 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 96 x 0.1 cm Photography - 47.2 x 37.8 x 0 inch
$2,929
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Le Gladiateur (B/W)
Giorgio de Chirico
Print - 41.2 x 31 x 0.2 cm Print - 16.2 x 12.2 x 0.1 inch
$8,385
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J'arrive (Réf.258)
Jérôme Mesnager
Painting - 55 x 46 x 3 cm Painting - 21.7 x 18.1 x 1.2 inch
$1,509
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Petit Rock (Réf.257)
Jérôme Mesnager
Painting - 27 x 35 x 3 cm Painting - 10.6 x 13.8 x 1.2 inch
$783
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La Passion (Réf.254)
Jérôme Mesnager
Painting - 35 x 27 x 3 cm Painting - 13.8 x 10.6 x 1.2 inch
$783
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Dans La Nature (Réf. 252)
Jérôme Mesnager
Painting - 35 x 27 x 3 cm Painting - 13.8 x 10.6 x 1.2 inch
$783
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De Chlore et de Rosé
Christopher Barraja
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
$1,342
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#8. From La Piedra Sustituta II Series
José Sierra
Photography - 61 x 37.3 x 0.3 cm Photography - 24 x 14.7 x 0.1 inch
$1,300
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Women and Tree VIII
Uwe Ommer
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
$2,000
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Man’s hand: From Motion Series
Ricky Cohete
Photography - 91.4 x 61 x 0.3 cm Photography - 36 x 24 x 0.1 inch
$2,222
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Flora and Fauna
Vasyl Khodakivskyi
Painting - 95 x 95 x 2 cm Painting - 37.4 x 37.4 x 0.8 inch
$5,590
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Don Quichotte Comes Back to Wisdom
Joanna Glazer
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
$324
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Lecture d'un matin (série liber paper)
Philippe Buil
Sculpture - 50 x 30 x 29 cm Sculpture - 19.7 x 11.8 x 11.4 inch
$1,677
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Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.