After Klimt, Circa 1980

by Mino Trafeli

Print : etching 70 x 50 x 0.1 cm

$339
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About the artwork

Type

Numbered and limited to 25 copies

1 copy available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: etching

Dimensions cm inch

70 x 50 x 0.1 cm Height x Width x Depth

Framing

Not framed


Tags

Portrait

Gustav Klimt

Green

Artwork sold in perfect condition

Artwork location: Italy

After Klimt is an artwork realized by Mino Trafeli in 1980. Edition XXV/XXV. Handsigned in the lower margin.

Mino Trafeli (Volterra, December 29, 1922 - Volterra, August 9, 2018) was an Italian sculptor and partisan. Fundamental to his education is the art institute in Florence, Magisterium section, not only because here he meets notable teachers (Paronchi, one of the most interesting personalities of the Italian literary panorama, is his professor of Italian literature), but because he enters in contact with a lively and "moving" city. In 1944, Trafeli, thanks to a friend who had put him in contact with the clandestine movement, actively participates in the resistance in the Galluzzo area, Florence. After the war, he maintained his membership in the Pd'A, to then merge, with the left of his party, for a short time, in the PSI within which he maintained his autonomy of libertarian imprint, contributing (as a political militant of basis, as he likes to say) as a provincial municipal councilor, to fundamental projects for the life of Volterra. During his socialist political activity (1956-1957) he agreed to be an illustrator with satirical cartoons for the ancient Florentine socialist newspaper "La Difesa" then led by Lelio Lagorio, future minister of the Republic. The choice to live in his hometown did not prevent him from contacting the most significant centers of contemporary art and culture, especially Milan where he is linked to the Fumagalli Galleria delle Ore. Precious is his intellectual presence in the sixties not only for research and for creative projects, but also for his political vision which leads him to understand the phenomenon of youth protest of which he becomes a critical interlocutor. As Enrico Crispolti writes, "the provocation of behavior that Trafeli comes to suggest in his recent sculptures (those of the sixties, ed.) is therefore of a critical and problematic order. In this sense he understands a duty of generation, of his generation (that appeared precisely after the war), as a specific response in the current debate". Often the sculptor from Volterra, just like Pietro Gobetti, speaks of political culture. The sensitivity of the creative towards the problems of his time (not only in a relative sense) is always present even when one speaks implicitly of the human condition. Without expressing that concept of the death of art of which Hegel speaks. From 1942 he taught at the art institute of Volterra. He exhibits at the Galleria delle Ore di Fumagalli in Milan, the Galleria Schneider in Rome, the Galleria Antidogma in Turin at the Venice Art Biennale, the Carrara Sculpture Biennale and the Rome Quadrennial of Art.v
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About the seller

Wallector Srl • Italy

Artsper seller since 2019

Vetted Seller


Collector’s Guide

Imagine it at home

Mino Trafeli, After Klimt
Mino Trafeli

Mino Trafeli

Italy

Mino Trafeli (Volterra, December 29, 1922 - Volterra, August 9, 2018) was an Italian sculptor and partisan.  Fundamental to his education is the art institute in Florence, Magisterium section, not only because here he meets notable teachers (Paronchi, one of the most interesting personalities of the Italian literary panorama, is his professor of Italian literature), but  because he enters in contact with a lively and "moving" city. 

In 1944, Trafeli, thanks to a friend who had put him in contact with the clandestine movement, actively participates in the resistance in the Galluzzo area, Florence. After the war, he maintained his  membership in the Pd'A, to then merge, with the left of his party, for a short time, in the PSI within which he maintained his autonomy of libertarian imprint, contributing (as a political militant of basis, as he likes to say) as a provincial municipal councilor, to  fundamental projects for the life of Volterra. 

During his socialist political activity (1956-1957) he agreed to be an illustrator with satirical cartoons for the ancient Florentine socialist newspaper "La Difesa" then led by Lelio Lagorio, future minister of the Republic.  The choice to live in his hometown did not prevent him from contacting the most significant centers of contemporary art and culture, especially Milan where he is linked to the Fumagalli Galleria delle Ore. Precious is his intellectual presence in the sixties not only  for research and for creative projects, but also for his political vision which leads him to understand the phenomenon of youth protest of which he becomes a critical interlocutor. As Enrico Crispolti writes, "the provocation of behavior that Trafeli comes to  suggest in his recent sculptures (those of the sixties, ed.) is therefore of a critical and problematic order. In this sense he understands a duty of generation, of his generation (that appeared precisely after the war), as a specific response in the current debate". Often the sculptor from Volterra, just like Pietro Gobetti, speaks of political culture. The sensitivity of the creative towards the problems of his time (not only in a relative sense) is always present even when one speaks implicitly of the human condition.  Without expressing that concept of the death of art of which Hegel speaks. From 1942 he taught at the art institute of Volterra.  He exhibits at the Galleria delle Ore di Fumagalli in Milan, the Galleria Schneider in Rome, the Galleria Antidogma in Turin at the Venice Art Biennale, the Carrara Sculpture Biennale and the Rome Quadrennial of Art.


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