Pulling Out, 1972

by James Rosenquist

Print : lithography

64.8 x 76.8 x 0.2 cm 25.5 x 30.2 x 0.1 inch

$2,708

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About the artwork

Type

Numbered and limited to 39 copies

1 copy available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: lithography

Dimensions cm inch

64.8 x 76.8 x 0.2 cm 25.5 x 30.2 x 0.1 inch Height x Width x Depth

Framing

Not framed


Tags

Still Life

Figurative

Hammers

Ordinary objects

Tools

White

Black

Artwork sold in perfect condition

Artwork location: Italy

Pulling Out is an artwork realized in 1972 by James Rosenquist.

Color Lithograph on Arches paper.

Hand-signed and dated by James Rosenquist (North Dakota, 1933 – 2017) in pencil in the lower right margin.

Printed and published by Petersburg Press, London.

Edition 17/39.

Ref. Glenn 47
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About the seller

Wallector Srl • Italy

Artsper seller since 2019

Vetted Seller

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Imagine it at home

James Rosenquist, Pulling Out

James Rosenquist

United States  • 1933  - 2017

Presentation

James Rosenquist is an American artist, born in 1933.

Encouraged by his mother, who is herself a painter, he headed towards an artistic course. He received a scholarship in high school which allowed him to study at Minneapolis School of Art, before joining the Minnesota University and studying there from 1952 until 1954. At the age of 21, he received another scholarship, and it gave him the opportunity to join the Art Students League and live in NYC.

During the '60s, he shared a studio with the artist Charles Hinman. Previously, he became famous for his career as an advertising painter, whose work is visible at the heart of New York. He created large formats with sparkling colors, an iconography that he uses later on.

When he decided to become a fully-fledged painter, he did advertising, his number one source of inspiration, conserving his large formats and shades of appealing colors in his paintings, while addressing the political and cultural context those days. The American pop art found one of its prominent figures in him.

In 2003, the Guggenheim foundation devoted a retrospective to him, the most important one dedicated to the artist.


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