Gestural abstraction

The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."

Search by Image

Save your search and find it in your favorites

11/77 1 9 10 11 12 13 20 30 40 50 60 70 77

Categories

Subcategories

Gestural abstraction

Portrait

Portrait

Les couleurs du vent

And The Winner Is

The Morning After

Sparks

Tu Falta De Querer

Butterfly's Secret

Exotic Dreams

Pastelas

Waves of color

Passion

Forever rising

Color falls gently

Makes things better

Vivance

Jewelia

Janae

Changing destinies

Life is change, Painting, Acrylic on canvas

The red dawn

Black and White 3 by M.Y.

Josephine

Balancing Act 3

Last rays before sunset

Tu cara me suena

Standing next to me

A good Flick (Stretched)

Mindnomind 03

Monocrom 01

Blue orchid

Shambala 2

Heart-V

Composition-II

Heart-III

Heart-I

Just rainy-XCIX

Just rainy-XCVIII

Just rainy-XCVII

Just rainy-XCVI

Emotional fragments-III

Emotional fragments-II

Emotional fragments-I

Jazzy mood-LXXXI

Jazzy mood-LXXIX

Abstract landscape-VII

Abstract landscape-III

Abstract landscape-IV

Meadow 31 by M.Y.

Trial to flying-III

Trial to flying-II

Trial to flying-I

Berstia-III

Bestia-II

Bestia-I

Patchwork 7 by M.Y.

Revolution 2

Abstract-I

Abstract-II

Abstract-III

Improvisation-III

Fragments-XII

Heart - XXIV

Heart - XXVIII

Heart-XXVII

Alkes