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24h du Mans 1970-Vue sur la ligne droite du circuit et les gradins depuis le bord de la piste, 13 ou 14 juin 1970.
Jacques Violet
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$447
24h du Mans 1970-La Porsche 917K n°23 de R. Attwood et H. Herrmann, 13 ou 14 juin 1970.
Jacques Violet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$447
24h du Mans 1970-Littéralement porté en triomphe, l’ingénieur Porsche Helmut Flegl, 14 juin 1970.
Jacques Violet
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$447
24h du Mans 1970-Jean-Pierre Beltoise ou H. Pescarolo au volant de leur MS 660 n°31, 13 juin 1970.
Jacques Violet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$447
24h du Mans 1970
Jacques Violet
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$447
Number One
Alexia Rousse
Photography - 139.7 x 96.5 x 3.3 cm Photography - 55 x 38 x 1.3 inch
$5,226
Poseïdon (Till human voices wakes us)
Kramer O'Neill
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$503
Arbre
Lionel le Jeune
Fine Art Drawings - 21 x 29.7 x 0.2 cm Fine Art Drawings - 8.3 x 11.7 x 0.1 inch
$56 $50
Joséphine Hopper
Pauline Corto
Photography - 57 x 40 x 0.3 cm Photography - 22.4 x 15.7 x 0.1 inch
$537
The St Andrews Club
Pauline Corto
Photography - 57 x 40 x 0.3 cm Photography - 22.4 x 15.7 x 0.1 inch
$537
Mister Frey (Donald N.)
Pauline Corto
Photography - 57 x 40 x 0.3 cm Photography - 22.4 x 15.7 x 0.1 inch
$537
Capri 1973's mirror
Pauline Corto
Photography - 57 x 40 x 0.3 cm Photography - 22.4 x 15.7 x 0.1 inch
$537
Capri 1973's light
Pauline Corto
Photography - 57 x 40 x 0.3 cm Photography - 22.4 x 15.7 x 0.1 inch
$537
Cast your spell on me
Justin Chan
Photography - 80 x 56.5 x 0.5 cm Photography - 31.5 x 22.2 x 0.2 inch
$10,625
Comme des grandes
Jean-Guy Nakars
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
$223
Abstraction urbaine 2 (1)
Guillaume Chevallard
Photography - 100 x 70 x 4 cm Photography - 39.4 x 27.6 x 1.6 inch
$2,461
Pow wow. Indiens. Amerique du nord.
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,454
Sadhus sur les ghats de Varanassi. Inde 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Sadhus sur les ghats de Varanassi. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Sadhus sur les ghats de Bénarès. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,118
Touareg. Ouarzazate. Maroc
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Papouasie Nouvelle Guinée
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,454
Enfants pendant le rite initiatique. Tanzanie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Joueurs de cartes pendant le Holi Festival. Rajasthan. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,452
Femme Kényane. Kenya. Afrique
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Femme Karo et son enfant. Ethiopie
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,454
Femme au miroir. Femme Mursi. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Enfants Kaeo. Vallée de L'Omo. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Enfants Karo. Ethiopie. Vallée de L'Omo
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Femme Hamer. Marché. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Femmes Hamer au marché. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Femmes Hamer. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,452
Lire dans les mains. Inde du nord
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,454
Femme voilée dans le Bengale occidental. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Jeune Fille Indienne du Nord de l'Inde
Dominique Leroy
Photography - 70 x 89.99 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Indiens Sioux. Pow Wow
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Pow wow. Indiens. Amérique du nord 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
Pow wow. Indiens. Amérique du nord
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,342
Schumi. Le baron rouge en pole à Monaco. Michael Schumacher
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,678
Ayrton Senna. Brésil. Sao Paulo 1992
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,678
Concentration du pilote Mika Hakkinen. MacLaren
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,454
David Coulthard. MacLaren. Formule 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,118
Les architectures de l'ombre II.XXXIII (1)
Geraldine Wilcke
Photography - 60 x 90 x 3 cm Photography - 23.6 x 35.4 x 1.2 inch
$2,684
Ki no Kioku, Memory of tree, Ibuta-ji, Matsusaka city, Mie prefecture, Japan, 2023-11, 12
Teddy Peix
Photography - 22 x 22 x 0.01 cm Photography - 8.7 x 8.7 x 0 inch
$319
Ki no kioku (Memory of tree), Kumano Kodo Akagi-Goe-2023-09_10
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$319
Ayrton Senna, quel Regard. F1
Dominique Leroy
Photography - 60 x 90 x 1 cm Photography - 23.6 x 35.4 x 0.4 inch
$895 $805
Ki no kioku (Memory of tree), Takiharanomiya_jinja_Taki-Mie_2023-08_09
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$319
Ki no kioku (Memory of tree), Kumano Kodo Akagi-Goe-2023-09_04
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$319
Ki no kioku (Memory of tree), Kumano Kodo Akagi-Goe-2023-09_04
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$319
Ki no kioku (Memory of tree), Tayun-ji_Mie_2023-04_02
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$319
Ki no kioku (Memory of tree), Takiharanomiya_jinja_Taki-Mie_2023-08_10
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$319
Du bout du monde, Auvergne 02, Lac de la Godivelle
Teddy Peix
Photography - 22 x 22 x 0.04 cm Photography - 8.7 x 8.7 x 0 inch
$302
Champagne pour Ayrton Senna. Brésil 92
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,566
Réflexion avant course. Ayrton Senna
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
$1,566
Regard Ayrton Senna
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,566
Préparatif Ayrton Senna
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
$1,678
Spinning the wheel, Oregon
Mindaugas Gabrenas
Photography - 19.5 x 19.5 x 0.2 cm Photography - 7.7 x 7.7 x 0.1 inch
$447
Du bout du monde 01 - Sancy (Auvergne)
Teddy Peix
Photography - 22 x 22 x 0.04 cm Photography - 8.7 x 8.7 x 0 inch
$302
La Montagne Imaginaire
Jérome Obiols
Photography - 70 x 186 x 0.1 cm Photography - 27.6 x 73.2 x 0 inch
$3,915
Draperie Ephémère sur la Meije
Jérome Obiols
Photography - 100 x 140 x 0.1 cm Photography - 39.4 x 55.1 x 0 inch
$4,138
La Guerre des Mondes
Jérome Obiols
Photography - 80 x 114 x 0.1 cm Photography - 31.5 x 44.9 x 0 inch
$3,411
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!