Colored artworks
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L'univers de l'artiste
Sophie Dumont
Painting - 54 x 65 x 2 cm Painting - 21.3 x 25.6 x 0.8 inch
$3,280
Invitation voyage 2
Emmanuelle Vroelant
Painting - 60 x 120 x 3 cm Painting - 23.6 x 47.2 x 1.2 inch
$2,714
Pas de culture sans agriculture
L'Insecte
Painting - 31 x 58.5 x 2 cm Painting - 12.2 x 23 x 0.8 inch
$1,357
Le son du silence (1)
Nat Stresser
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$2,036
Exceptional Sheep
Menashe Kadishman
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$7,600
I wasn't expecting you
Lilly Muth
Painting - 80 x 100 x 2 cm Painting - 31.5 x 39.4 x 0.8 inch
$1,809
L'esquisse du silence
Sophie Dumont
Painting - 50 x 50 x 2 cm Painting - 19.7 x 19.7 x 0.8 inch
$1,911
Le Salon des Hessels, d’après Vuillard.
Charlotte Moore
Print - 51 x 63.5 cm Print - 20.1 x 25 inch
$679
Le Salon des Hessels, d’après Vuillard.
Charlotte Moore
Print - 63.5 x 51 cm Print - 25 x 20.1 inch
$679
Le désir du cœur II
Shen Yongji
Sculpture - 122 x 122 x 10 cm Sculpture - 48 x 48 x 3.9 inch
$19,225
Wolke – Nuage
Hans Mendler
Painting - 110 x 110 x 4.5 cm Painting - 43.3 x 43.3 x 1.8 inch
$3,393 $3,223
Voll aufgeregt - Tout excité
Hans Mendler
Painting - 110 x 110 x 4.5 cm Painting - 43.3 x 43.3 x 1.8 inch
$3,393 $3,223
I Keep Thinking This Is Over, This Is Not Over / Red Green Purple Blue
Simon Findlay
Painting - 150 x 120 x 2 cm Painting - 59.1 x 47.2 x 0.8 inch
$2,149
Boîte de Petri #11
David Jehan (B.boss)
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$679 $597
We All Live Under the Same Sky
Nick Vivian
Painting - 100 x 100 x 5 cm Painting - 39.4 x 39.4 x 2 inch
$3,177
Personaje en rojo
Enrique Pichardo
Painting - 150 x 100 x 2 cm Painting - 59.1 x 39.4 x 0.8 inch
$2,965
Le poids du monde
Antony Squizzato
Painting - 81 x 60 x 2 cm Painting - 31.9 x 23.6 x 0.8 inch
$3,675
Mediterranean Sea, Composition III
Isabelle Fournet
Painting - 116 x 116 x 2 cm Painting - 45.7 x 45.7 x 0.8 inch
$3,053
Brumes d’automne
Nat Stresser
Painting - 60 x 60 x 2 cm Painting - 23.6 x 23.6 x 0.8 inch
$1,244 $1,120
Water Lilies
Serhii Cherniakovskyi
Painting - 60 x 70 x 2 cm Painting - 23.6 x 27.6 x 0.8 inch
$1,480
Golden Pomegranate Harvest
Vlas Ayvazyan
Painting - 40 x 50 x 2 cm Painting - 15.7 x 19.7 x 0.8 inch
$600
In The Morning / Oil Painting 18
Simon Findlay
Painting - 100 x 80 x 2 cm Painting - 39.4 x 31.5 x 0.8 inch
$1,470
Lots Of Fish, All Swimming
Simon Findlay
Painting - 100 x 80 x 2 cm Painting - 39.4 x 31.5 x 0.8 inch
$1,470
What are you thinking about? (stretched) (1)
Nadine Antoniuk
Painting - 140 x 95 x 0.1 cm Painting - 55.1 x 37.4 x 0 inch
$2,092
Color Your Colors (Réhaussé / Hand-embellished)
Onemizer
Print - 60 x 60 x 0.1 cm Print - 23.6 x 23.6 x 0 inch
$1,696
Équilibre instable
Muriel Charbonnier
Painting - 70 x 70 x 4 cm Painting - 27.6 x 27.6 x 1.6 inch
$1,583
Surrogate Mother Abstract
James Chiew
Print - 120 x 120 x 4 cm Print - 47.2 x 47.2 x 1.6 inch
$7,351
Jardin de Bois de Morville 4-1 Hiver
Akira Inumaru
Painting - 140 x 70 x 3 cm Painting - 55.1 x 27.6 x 1.2 inch
$5,089
Jardin d’Alexandre 1-1 Printemps
Akira Inumaru
Painting - 140 x 70 x 3 cm Painting - 55.1 x 27.6 x 1.2 inch
$5,089
Retrato en fondo blanco
Enrique Pichardo
Painting - 210 x 210 x 2 cm Painting - 82.7 x 82.7 x 0.8 inch
$8,718
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?