Gestural abstraction
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In Between Seasons 3,
Nestor Toro
Painting - 61 x 45.7 x 1.3 cm Painting - 24 x 18 x 0.5 inch
$1,585
Where sounds disappear 1
Nestor Toro
Painting - 61 x 91.4 x 1.8 cm Painting - 24 x 36 x 0.7 inch
$1,670
Strange Phenomena (dos)
Nestor Toro
Painting - 76.2 x 61 x 1.8 cm Painting - 30 x 24 x 0.7 inch
$1,525
Autumnal mood-I
Stanislav Bojankov
Painting - 80 x 120 x 2 cm Painting - 31.5 x 47.2 x 0.8 inch
$1,236
Imagination play-IX(Homage to Jean Dubuffet)
Stanislav Bojankov
Painting - 80 x 120 x 2 cm Painting - 31.5 x 47.2 x 0.8 inch
$1,124
Jump session(Jazzy)-XI
Stanislav Bojankov
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$955
Jump session(Jazzy)-X
Stanislav Bojankov
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$989
Imagination play-VI(Homage to Jean Dubuffet)
Stanislav Bojankov
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$1,067
Imagination play-IV(Homage to Jean Dubuffet)
Stanislav Bojankov
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$1,067
Candelaria ou la femme en rose
Damien Berrard
Painting - 116 x 73 x 2.5 cm Painting - 45.7 x 28.7 x 1 inch
$899
La légèreté III
Sophie Mangelsen
Painting - 150 x 110 x 2.2 cm Painting - 59.1 x 43.3 x 0.9 inch
$1,573
The ocean is calling and I must go
Nadine Antoniuk
Painting - 60 x 150 x 2 cm Painting - 23.6 x 59.1 x 0.8 inch
$1,438 $1,324
Never a Dull Moment
Newel Hunter
Painting - 91.4 x 121.9 x 3.8 cm Painting - 36 x 48 x 1.5 inch
$5,950
Hop, Skip and a Jump
Newel Hunter
Painting - 139.7 x 114.3 x 0.3 cm Painting - 55 x 45 x 0.1 inch
$7,750
Back Country Notebook,
Newel Hunter
Painting - 152.4 x 114.3 x 0.3 cm Painting - 60 x 45 x 0.1 inch
$7,750
Last of the Species,
Newel Hunter
Painting - 269.2 x 139.7 x 0.3 cm Painting - 106 x 55 x 0.1 inch
$19,750
Surfing the Channels,
Newel Hunter
Painting - 114.3 x 152.4 x 0.3 cm Painting - 45 x 60 x 0.1 inch
$7,850
Out for Delivery
Newel Hunter
Painting - 121.9 x 152.4 x 3.8 cm Painting - 48 x 60 x 1.5 inch
$7,900
Like Tomorrow Never Comes
Newel Hunter
Painting - 91.4 x 121.9 x 3.8 cm Painting - 36 x 48 x 1.5 inch
$5,300
The Wonder of Water
Newel Hunter
Painting - 165.1 x 114.3 x 0.3 cm Painting - 65 x 45 x 0.1 inch
$11,000
Like-Minded Diptych
Newel Hunter
Painting - 61 x 152.4 x 3.8 cm Painting - 24 x 60 x 1.5 inch
$5,700
Fleeing the Scene
Newel Hunter
Painting - 91.4 x 121.9 x 3.8 cm Painting - 36 x 48 x 1.5 inch
$5,350
Steady as she goes
Newel Hunter
Painting - 111.8 x 88.9 x 0.5 cm Painting - 44 x 35 x 0.2 inch
$5,950
Whatever, Whenever
Newel Hunter
Painting - 111.8 x 152.4 x 0.3 cm Painting - 44 x 60 x 0.1 inch
$13,000
Who Am I To Say
Newel Hunter
Painting - 167.6 x 111.8 x 0.3 cm Painting - 66 x 44 x 0.1 inch
$11,000
All lthe Ins and Outs
Newel Hunter
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$5,300
Taming the Dragon
Newel Hunter
Painting - 152.4 x 111.8 x 0.3 cm Painting - 60 x 44 x 0.1 inch
$11,000
Running for the Border
Newel Hunter
Painting - 121.9 x 91.4 x 2 cm Painting - 48 x 36 x 0.8 inch
$6,300
Gestural abstraction
The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."