Colored artworks
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Le voleur d'arcanes
Timothy Archer
Painting - 120 x 80 x 0.1 cm Painting - 47.2 x 31.5 x 0 inch
$5,369
Le quorum des trois
Timothy Archer
Painting - 120 x 80 x 0.1 cm Painting - 47.2 x 31.5 x 0 inch
$5,369
Le faune et la possible étreinte
Timothy Archer
Painting - 120 x 80 x 0.1 cm Painting - 47.2 x 31.5 x 0 inch
$5,369
Auto-portrait en prêtre de lune
Timothy Archer
Painting - 100 x 70 x 0.5 cm Painting - 39.4 x 27.6 x 0.2 inch
$4,586
The Vanishing Gertrude Stein
Yichao Sun
Painting - 80 x 60 x 3 cm Painting - 31.5 x 23.6 x 1.2 inch
$2,237
Petit pont du Marais
Corinne Foucouin
Painting - 46 x 55 x 2 cm Painting - 18.1 x 21.7 x 0.8 inch
$1,118
Serigraphie I (rehaussée à la main/hand-embellished)
Piotre
Print - 50 x 50 x 0.1 cm Print - 19.7 x 19.7 x 0 inch
$895
Printemps, aquagravure originale
Speedy Graphito
Print - 53 x 42 x 0.5 cm Print - 20.9 x 16.5 x 0.2 inch
$1,118
Flowarh$ (II) Portfolio of 6 Prints
Mr Brainwash
Print - 91.4 x 91.4 cm Print - 36 x 36 inch
$21,251
Frutti di rovo
Antonino Puliafico
Painting - 50 x 70 x 2 cm Painting - 19.7 x 27.6 x 0.8 inch
$1,118
Mondello Stabilimento
Antonino Puliafico
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$1,342
Porto Mondello
Antonino Puliafico
Painting - 50 x 60 x 2 cm Painting - 19.7 x 23.6 x 0.8 inch
$1,007
Trasparenze Con Barca
Antonino Puliafico
Painting - 50 x 60 x 2 cm Painting - 19.7 x 23.6 x 0.8 inch
$783
Suspension XX (SG187)
Sylvie Guyomard
Painting - 60 x 50 x 0.5 cm Painting - 23.6 x 19.7 x 0.2 inch
$727
Sbuffo di giallo
Antonino Puliafico
Painting - 40 x 40 x 2 cm Painting - 15.7 x 15.7 x 0.8 inch
$671
Floral. Feb. 2.24
Viktoria Ganhao
Painting - 120 x 80 x 2 cm Painting - 47.2 x 31.5 x 0.8 inch
$2,908 $2,617
Lady with a hand fan
Anatoly Metlan
Painting - 91 x 61 x 2.5 cm Painting - 35.8 x 24 x 1 inch
$6,800
Soft abstraction X
Tamara Bakhshinyan
Painting - 70 x 50 x 1 cm Painting - 27.6 x 19.7 x 0.4 inch
$670
Soft abstraction IX
Tamara Bakhshinyan
Painting - 70 x 50 x 1 cm Painting - 27.6 x 19.7 x 0.4 inch
$670
Celebrating Life II
Viktoria Ganhao
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
$2,572
Celebrating Life
Viktoria Ganhao
Painting - 100 x 90 x 0.2 cm Painting - 39.4 x 35.4 x 0.1 inch
$2,461
"Human" Body. Soul. Mind.
Viktoria Ganhao
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
$2,572
L’invitation au voyage
Yohan Storti
Painting - 185 x 140 x 3.5 cm Painting - 72.8 x 55.1 x 1.4 inch
$6,152
Lumière à l‘horizon… (Souvenirs du sud)
Olivier Messas
Painting - 40 x 40 x 2 cm Painting - 15.7 x 15.7 x 0.8 inch
$783
Specchio magico
Antonino Puliafico
Painting - 80 x 110 x 1 cm Painting - 31.5 x 43.3 x 0.4 inch
$1,957
Verdi Riflessi
Antonino Puliafico
Painting - 115 x 125 x 1 cm Painting - 45.3 x 49.2 x 0.4 inch
$2,125
Fronde azzurre 3
Antonino Puliafico
Painting - 112 x 120 x 1 cm Painting - 44.1 x 47.2 x 0.4 inch
$2,125
Eros et Thanatos au bistro
Yohan Storti
Painting - 130 x 95 x 2.5 cm Painting - 51.2 x 37.4 x 1 inch
$3,355
Fiori nel campo
Antonino Puliafico
Painting - 80 x 90 x 2 cm Painting - 31.5 x 35.4 x 0.8 inch
$1,454
Voli soppressi 2
Antonino Puliafico
Painting - 125 x 155 x 0.1 cm Painting - 49.2 x 61 x 0 inch
$2,237
Orizzonte degli eventi
Antonino Puliafico
Painting - 115 x 125 x 0.1 cm Painting - 45.3 x 49.2 x 0 inch
$2,237
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?