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Composed gate 2
Yonatan Wondwosen
Painting - 75 x 75 x 2 cm Painting - 29.5 x 29.5 x 0.8 inch
$4,547
Sous les nuages, l'arc en ciel
Alexandra Battezzati
Painting - 120 x 150 x 4.5 cm Painting - 47.2 x 59.1 x 1.8 inch
$6,252
Blue Dot, black line series no.3
Sara Chaar
Painting - 120 x 100 x 3 cm Painting - 47.2 x 39.4 x 1.2 inch
$4,400
Méta-Terra - série Terre
Odile Lanoix
Painting - 50 x 61 x 2 cm Painting - 19.7 x 24 x 0.8 inch
$955
Extra-Terra - série Terre
Odile Lanoix
Painting - 60 x 60 x 4 cm Painting - 23.6 x 23.6 x 1.6 inch
$1,228
Beauty and the Beast, Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch
$4,036
Tissage urbain
Elsa Pallier (El'Pallier)
Painting - 73 x 92 x 2 cm Painting - 28.7 x 36.2 x 0.8 inch
$1,637
Persephone
Kalliope Amorphous
Photography - 50.8 x 40.6 x 0.1 cm Photography - 20 x 16 x 0.05 inch
$2,200
Bruce Springsteen, Bob Dylan, Mick Jagger, NYC 1988
Bob Gruen
Photography - 35.6 x 27.9 x 5.1 cm Photography - 14 x 11 x 2 inch
$1,500
Resurrectionem Ex-Mortuis Vinyle
Shepard Fairey (Obey)
Print - 30.5 x 30.5 cm Print - 12 x 12 inch
$171
Abstract composition in white
Tonino Maurizi
Sculpture - 28 x 16 x 2 cm Sculpture - 11 x 6.3 x 0.8 inch
$1,478
Sombre histoire - série Abstraction
Hervé Bauve
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,285
Possible victoire - série Abstraction
Hervé Bauve
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,285
32 décembre - Face à la mort numérique
Enki Bilal
Print - 18 x 25.5 x 1 cm Print - 7.1 x 10 x 0.4 inch
$364
Poolside Ladies
Slim Aarons
Photography - 76 x 101 x 0.01 cm Photography - 29.9 x 39.8 x 0 inch
$3,524
Portrait de Leopold Zborowski (d'après)
Amedeo Modigliani
Print - 46 x 30 x 0.2 cm Print - 18.1 x 11.8 x 0.1 inch
$1,364
Donald Duck x Loves PopArt?!
Koen Betjes
Painting - 50 x 50 x 2 cm Painting - 19.7 x 19.7 x 0.8 inch
$624
Abstract no. 6421 XXL
Anita Kaufmann
Painting - 78.7 x 198.1 x 2 cm Painting - 31 x 78 x 0.8 inch
$1,523
Love l’herbe
Yohan Storti
Fine Art Drawings - 35 x 25 x 0.1 cm Fine Art Drawings - 13.8 x 9.8 x 0 inch
$477
Riva degli Schiavoni, Venise
Charles Malle
Painting - 48 x 62 x 0.1 cm Painting - 18.9 x 24.4 x 0 inch
$1,421
Lil’ crazy Boombox
Anthony Grip
Sculpture - 25 x 51 x 20 cm Sculpture - 9.8 x 20.1 x 7.9 inch
$1,023
Winter white mountain landscape
Nataliia Krykun
Painting - 30 x 30 x 2 cm Painting - 11.8 x 11.8 x 0.8 inch
$682
Partir
Sylvie Julkowski-Egard
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$1,819 $1,637
White abstract painting GW145
Radek Smach
Painting - 100.1 x 100.1 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
$1,670
Brown abstract painting DK663
Radek Smach
Painting - 70.1 x 89.9 x 2 cm Painting - 27.6 x 35.4 x 0.8 inch
$1,450
Abstract painting IT874
Radek Smach
Painting - 100.1 x 80 x 2 cm Painting - 39.4 x 31.5 x 0.8 inch
$1,720
Abstract painting HR481
Radek Smach
Painting - 89.9 x 70.1 x 2 cm Painting - 35.4 x 27.6 x 0.8 inch
$1,810
Graff & Griff
Christine Dumas de Rauly
Painting - 60 x 50 x 4 cm Painting - 23.6 x 19.7 x 1.6 inch
$1,137
Étude de la sculpture "Nzuri"
Aude Herlédan
Fine Art Drawings - 50 x 40 x 0.2 cm Fine Art Drawings - 19.7 x 15.7 x 0.1 inch
$6,821
Fumador hindú
José Luis Pagador Ponce
Painting - 81 x 65 x 2 cm Painting - 31.9 x 25.6 x 0.8 inch
$2,910
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!