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Snowy mountain in winter
Nataliia Krykun
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
$1,023
Human preservation (5)
Julien Delagrange
Fine Art Drawings - 40 x 30 x 0.1 cm Fine Art Drawings - 15.7 x 11.8 x 0 inch
$2,046
The shell (after marcel broodthaers) forbidden collage (11)
Julien Delagrange
Painting - 40 x 30 x 0.1 cm Painting - 15.7 x 11.8 x 0 inch
$2,046
Starry sky black and white abstraction dropping Pop Art
Nataliia Krykun
Painting - 40 x 30 x 4 cm Painting - 15.7 x 11.8 x 1.6 inch
$898
Blanc infiltré de rouge
Olivier Hache
Painting - 116 x 89 x 5 cm Painting - 45.7 x 35 x 2 inch
$5,115
Blanc infiltré de bleus
Olivier Hache
Painting - 116 x 81 x 5 cm Painting - 45.7 x 31.9 x 2 inch
$5,115
Black Burger CH Tribute
Di Lorenzo
Sculpture - 17 x 17 x 17 cm Sculpture - 6.7 x 6.7 x 6.7 inch
$955
Variations cinétiques 1
Piero Cipolat
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
$1,330
Desert Goddess
Silvia Calmejane
Painting - 140 x 100 x 1 cm Painting - 55.1 x 39.4 x 0.4 inch
$8,639
Rhythmogramm Triennale
Heinrich Heidersberger
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$12,504
Gwen Stefani - Anaheim Pond, Anaheim, CA
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
Neue Kammern Enfilade V. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 182.9 x 121.9 x 0.3 cm Photography - 72 x 48 x 0.1 inch
$9,875
The baby Panda loves Pop Art
Patrick Cornée
Painting - 50 x 50 x 3 cm Painting - 19.7 x 19.7 x 1.2 inch
$2,160
White tulips on a pink background. Morning, spring
Lilya Volskaya
Painting - 40 x 50 x 2 cm Painting - 15.7 x 19.7 x 0.8 inch
$739
Surrounded by Friends
Gaëtan de Séguin
Painting - 90 x 130 x 3 cm Painting - 35.4 x 51.2 x 1.2 inch
$3,524
Minnie white Splash
Xavier Wttrwulghe
Sculpture - 30 x 17 x 25 cm Sculpture - 11.8 x 6.7 x 9.8 inch
$1,535
Self-discovery
Mayra AleJandra Lifischtz
Painting - 70.1 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
$2,094
Delicate blossom bouquet
Marieta Martirosyan
Painting - 60 x 70 x 2 cm Painting - 23.6 x 27.6 x 0.8 inch
$450
GackoBear Love pop art Karl
André Gacko
Sculpture - 27 x 26 x 21 cm Sculpture - 10.6 x 10.2 x 8.3 inch
$1,466
Gacko Bear édition spéciale
André Gacko
Sculpture - 27 x 26 x 21 cm Sculpture - 10.6 x 10.2 x 8.3 inch
$1,466
GackoBear Love pop art Mondrian
André Gacko
Sculpture - 27 x 26 x 21 cm Sculpture - 10.6 x 10.2 x 8.3 inch
$1,466
GackoBear Love pop art Banksy White
André Gacko
Sculpture - 27 x 26 x 21 cm Sculpture - 10.6 x 10.2 x 8.3 inch
$1,466
Kévin & Jessie - Nanytes - Île de Nantes - série photo couleur danse et architecture
Lucas Perrigot
Photography - 59.4 x 84.1 x 0.1 cm Photography - 23.4 x 33.1 x 0 inch
$657
Jessie - Pont Éric Tabarly - série photo couleur danse et architecture
Lucas Perrigot
Photography - 59.4 x 84.1 x 0.1 cm Photography - 23.4 x 33.1 x 0 inch
$657
IBEYI - Deux minutes avant la scène - Paris - L'Olympia - série photo concert noir et blanc
Lucas Perrigot
Photography - 59.4 x 84.1 x 0.1 cm Photography - 23.4 x 33.1 x 0 inch
$682
Alberobello Echoes - 09
Ralouka Montesi
Photography - 100 x 70 cm Photography - 39.4 x 27.6 inch
$1,188
Panthère résine blanche 110 cm
Richard Orlinski
Sculpture - 55 x 110 x 22 cm Sculpture - 21.7 x 43.3 x 8.7 inch
$22,167
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 VI
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
USA. Nevada. Reno. Marilyn Monroe on the set of The Misfits by John HUSTON
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
USA. Nevada. US actress Marilyn Monroe on the set of The Misfits by John HUSTON.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
UAE. Dubai. Behind the Veil.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
Marilyn MONROE on the set of The Misfits - USA, Nevada, Reno
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
What did we do
Guillaume Nicolaou
Painting - 120 x 60 x 4 cm Painting - 47.2 x 23.6 x 1.6 inch
$1,705
Other side of the game
Mariusz Makula
Painting - 99.1 x 88.9 x 0.3 cm Painting - 39 x 35 x 0.1 inch
$1,200
Vivent les animaux X Brigitte Bardot
Jérôme Mesnager
Painting - 50 x 30 x 0.2 cm Painting - 19.7 x 11.8 x 0.1 inch
$3,979
Spring walk
Arevik Gasparyan
Painting - 70 x 60 x 2 cm Painting - 27.6 x 23.6 x 0.8 inch
$1,200 $1,020
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!