Colored artworks

The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.

Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.

In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.

More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.

It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."

Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?

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Colored artworks

Plaisir

Tiffauges

Abstract Impressions

Colorful Reflections

Sailboats 12

Laguna Beach. California.

Big Time Sensuality

Dallas II

Croco car

Stylish woman with red lips

Blues' note

Bruissements de fleurs

Series “Between Heaven and Earth” - turquoise blue

La ruelle ensoleillée

Sweetness

Nature's bounty

Via con me 2

Via con me

Sing Sing Sing

My Baby Just Cares for Me

Bouquet of pionies

Bush of Flowers

Lush Lilac Elegance

Morning

Cheek to cheek

Bleu fauve (1)

Vue de St-Savinien

Les deux barques

Mystic Patterns

Un chapeau à la mer N°2

Soupirs du soir

Mon little paradise

Black&white #3

#14

Yellow abstract roses

La palette de Basquiat-Duduss (1)

Guardian of the Shadows

The Scarecrow Painter

Réf. 53

Bold and Beautiful

Sirian

Lumières parmes sur Magné

Burned Indian

The Poppy's Dance

The love of mermaid

Abstract - Lori

Panthera pardus

Jazzy mood-LXXVI

Presentiment-VII

Caprice-II (Paganini)

Presentiment-III

Caprice-I (Paganini)

Landscape-XI

Amulettes et alumettes

Feeling good like I should

#Gump

Desert sun

The knight's dream - Don Quixote

Taureau Or

Abstract Urban Sunset

Let it be

#34

#28

I need more than that

La pensée fleurie

The Quiet Contemplation