Hyperrealism

During the late 1950s and early 1960s in New York City, Abstract Expressionism, Pop art and Minimalism dominated the art scene. Hyperrealism was heavily shrouded by the impact of these movements, causing it to take ten years before the movement gained an official form of recognition. The movement began in 1965, at the same time as Conceptual Art, and consisted entirely of male artists (Chuck Close, Don Eddy, Richard Estes, Ralph Goings, Robert Bechtle, Denis Peterson, and Malcolm Morley), apart from one female artist, Audrey Flack. Notably, the male artists' works were ripe with themes of machinery and industry, incorporating cars and mechanical objects in their works. Flack on the other hand, conveyed more emotion in her works, exploring themes of death, femininity, mass-culture and consumerism in her pieces.

“Hyperrealism" derives from the French “Hyperréalisme," a term coined by Belgian gallerist, Isy Brachot, as the name for his exhibition in 1973. The exhibition included major American Hyperrealists such as Chuck Close, Ralph Goings and Robert Bechtle. Artists would often rely on tracing their works from photographs to create an intensely accurate replica. The Hyperrealists took realism one step further by mixing the real with the unreal. Although their images were based on reality, in creating their works from photographs they actually distanced their art from fact. This is because the Hyperrealists would strive to achieve such a realistic effect in their work, they would add elements to their pieces that were absent from the original photo. This allowed the artists to render their works even more realistic by adding details unseen in the original photo.

The reliance on photography caused Hyperrealists to explore the realms of reality and artificiality, and examine alternative artistic methods. The representation of light was particularly distinctive in these works. Hyperrealists would use slide machines to project photos onto their canvases, allowing them to capture light in a completely new way and reproduce the glossy effect of a photograph in their paintings.

Chuck Close: one of the original Hyperrealists, Close is renowned for his huge-scale portraits. A catastrophic spinal artery collapse in 1988 left Close paralyzed, however he has still continued to paint. In 2005, his work John sold at Sotheby's to the Broad Art Foundation for $4.8 million.

Malcolm A. Morley: British-American artist and painter, Morley was one of the pioneers of Hyperrealism.

Richard Estes: American painter, Estes, would frequently divide his paintings in two, channelling two windows in his works. This would give the effect of looking at two paintings at the same time, and such an effect can be seen in his work Murano Glass, Venice (1976).

Ralph Goings: predominantly painted scenes of everyday American life, Goings sought to portray the realities of the Great Depression in America. His depictions of working class Americans can be seen in his work, Two Waitresses - Afternoon Break.

Audrey Flack: the sole woman of the original Hyperrealists, Flack mostly explored still lifes in her works. Her still life paintings questioned themes of Vanitas, using religious symbols on large-scale canvases.

Get back to reality with our selection of contemporary artists! Whether it's Juliana Wildner's flowers, Mark Figuras' figures or Kyliss' black and white portraits, Artsper has the Hyperrealist work for you

Search by Image

Save your search and find it in your favorites

10/14 1 2 3 4 5 6 7 8 9 10 11 12 13 14

Categories

Subcategories

Hyperrealism

Plurielle

As Flores que plantei II

Elévation

Bain de soleil

Silence sacré

Dans tes yeux

Partir

Que lit-elle ?

Nude with Flowers

Hold On II

Double portrait-I(The Pollock-Krasner Foundation Grant,New York,2003)

Couple

Mais ce n'était que le soleil

Nessi

Etre libre

Ecouter le silence

Siam

Le point du jour

A different point of view I

Conversation

Blind in the freedom of not having you I

Triple portrait-II(The Pollock-Krasner Foundation Grant,New York,2003)

Triple portrait-I(The Pollock-Krasner Foundation Grant,New York,2003)

Portrait-I(The Pollock-Krasner Foundation Grant,New York,2003)

Roses

The boys in the crowd

The Boy and the bird in the chest

In between waves

Hold On

I got touch by god

Between fragilities

Mise-en-scene

The girl and the clouds in the water

The green umbrella

On the coast

The red sofa

Blue Periwinkle

Pink hair and pussycat selfie

Black Sea magic

Nude I

The Barefoot Dance

Nude

Ulysse

Intermission

Nude II

White 4

In Bloom

View to the sea

A look through the worlds

Friends of the sea - August

White silence

Revelation

In front of the window 2

In from on the window,

Studio

White 3

To the white wall

In the garden of Eden

Anaïs

End Game

Ancient warrior-VI

Bathduck

L'angelo custode

Pool Party

The Tamed Beloved

L’échange