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Porsche 911 Turbo S
Angélique Dufossé
Painting - 50 x 150 x 2 cm Painting - 19.7 x 59.1 x 0.8 inch
$2,784
Forest convergence blue sky
Alvaro Petritoli
Painting - 100 x 140 x 3 cm Painting - 39.4 x 55.1 x 1.2 inch
$10,465
Silent heights III
Alvaro Petritoli
Painting - 124 x 154 x 3 cm Painting - 48.8 x 60.6 x 1.2 inch
$9,805
Rimbaud, Boulevard Saint-Michel
Ernest Pignon-Ernest
Print - 80 x 60 cm Print - 31.5 x 23.6 inch
$1,118
Hermiona
Isabelle Scheltjens
Painting - 138 x 103 x 4.5 cm Painting - 54.3 x 40.6 x 1.8 inch
$19,565
Crazy little Thing called Love
Katharina Hormel
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$671
Grand éclat noir et blanc
Jonathan Pradillon
Painting - 80 x 80 x 3.5 cm Painting - 31.5 x 31.5 x 1.4 inch
$391
Concave
Nicolas Sanchez
Fine Art Drawings - 45.7 x 50.8 x 3.8 cm Fine Art Drawings - 18 x 20 x 1.5 inch
$6,000
Columns of The Propylaea. From the Grand Interiors series
Celia Rogge
Photography - 121.9 x 182.9 x 0.3 cm Photography - 48 x 72 x 0.1 inch
$9,875
Le Sanctuaire D'Anna Amalia. From the Grand Interiors series
Celia Rogge
Photography - 121.9 x 182.9 x 0.3 cm Photography - 48 x 72 x 0.1 inch
$9,875
Chinoiserie. From the Grand Interiors series
Celia Rogge
Photography - 101.6 x 152.4 x 0.3 cm Photography - 40 x 60 x 0.1 inch
$8,250
Neue Kammern Enfilade I. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 152.4 x 101.6 x 0.3 cm Photography - 60 x 40 x 0.1 inch
$8,250
Neue Kammern Potsdam VI. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 152.4 x 101.6 x 0.3 cm Photography - 60 x 40 x 0.1 inch
$8,250
Neue Kammern Enfilade IV. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 101.6 x 152.4 x 0.3 cm Photography - 40 x 60 x 0.1 inch
$8,250
Dynamique de l'équilibre
Florence Boré
Painting - 107 x 74 x 0.5 cm Painting - 42.1 x 29.1 x 0.2 inch
$4,025
Vive les fleurs et les fleurs
Seb Paul Michel
Painting - 30 x 40 x 2 cm Painting - 11.8 x 15.7 x 0.8 inch
$525 $368
Oceani Mentali n°4
Luca Izzo
Photography - 50 x 70 x 0.4 cm Photography - 19.7 x 27.6 x 0.2 inch
$391
Misty Cathedral
Antoine Gaussin
Photography - 150 x 150 x 1 cm Photography - 59.1 x 59.1 x 0.4 inch
$8,385
Elephant with Ballons
Valay Shende
Sculpture - 120 x 45 x 50 cm Sculpture - 47.2 x 17.7 x 19.7 inch
$61,490
Ondine
Eric Sanger Monteros
Photography - 60 x 110 x 2 cm Photography - 23.6 x 43.3 x 0.8 inch
$3,913
Etel - série Paysage de bord de mer de Bretagne
Jacqueline Clermont
Painting - 30 x 60 x 2 cm Painting - 11.8 x 23.6 x 0.8 inch
$380
Série Les Mignons - Sculpture Raku animal marin
Naïg Oulhen dite AbeRaku
Sculpture - 15 x 25 x 9 cm Sculpture - 5.9 x 9.8 x 3.5 inch
$492
The coral crown forbidden production (6)
Julien Delagrange
Painting - 40 x 30 x 0.1 cm Painting - 15.7 x 11.8 x 0 inch
$2,012
Sonate crépusculaire
Bernard Gaulbert
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$2,012
Warped reality - Conceptual science art collection
Anastasia Vasilyeva
Painting - 130 x 150 x 3 cm Painting - 51.2 x 59.1 x 1.2 inch
$2,795
Mes petits bonheurs B
Aude Herlédan
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
$6,708
Urban structure 2
Alessandra Bisi
Painting - 120 x 80 x 2 cm Painting - 47.2 x 31.5 x 0.8 inch
$2,627
Tuba Tree. Tuba Tree Collection
Tuba Onder Demircioglu
Sculpture - 37 x 29 x 29 cm Sculpture - 14.6 x 11.4 x 11.4 inch
$7,323
Tea time, Sweet Home series
Olha Vlasova
Painting - 49.5 x 29.5 x 2 cm Painting - 19.5 x 11.6 x 0.8 inch
$503
Ours polaire assis (pm) 7/8
Isabelle Carabantes
Sculpture - 37 x 25 x 22 cm Sculpture - 14.6 x 9.8 x 8.7 inch
$8,050
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!