Gestural abstraction

The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."

Search by Image

Save your search and find it in your favorites

17/77 1 10 15 16 17 18 19 20 30 40 50 60 70 77

Categories

Subcategories

Gestural abstraction

Untitled(N° COL0722P3)

Vert le possible

N° COL1021P2

HIVERT

Dreamscape

Énergies

Niki Lauda Driving a Ferrari

Sounds of Love

Furry Friends

Transition. At the end of the first quarter of the XXIe century

Soho

Winter Flowers

Chariots of fire, 100 years later

Sun Ra

Tree of Love

Flamme bleue

Sunny Morning

The perfect day

(r) evolution 31

(r) evolution 28

Why I wake early

Supernova 5 | Abstrait | Abstract

Charlie

Floraison Suspendue

Miroir de l’âme

Totem pour ceux qu’on n’écoute pas

Entre ciel et rêve

Hong Kong Overhead Shot

Luzes da Favela

Flux

Sauvage

Rainy painting

Jump session-XXIV

Jump session(Jazzy)-XXIII

Charm

Natalie

Anthony

Rise 2

Modern J. Pollock style

J. Pollock style acrylic

Ernest Hemingway

Mix

Geometry 2

Nude Diptych

Sign No 50

Sign No 49

Sign No 48

Sign No 47

Sign No 46

Sign No 45

Sign No 44

Sign No 43

Sign No 52

Abstract No 53

Abstract No 51

Abstract No 18

Bubble In A Trouble

Violet Diptych, Diptyque Violet

Black Sand 2

Span

Interior with Paint Chips

White light

Glass Wall

Room

Touch

Bonbon