Third stage of Evrard & Koch's "Out of Frame" explorations questioning the classic representation of painting. Halfway between architecture, painting and sculpture, their works challenge the notion of frontier : depending on light, position and time of the day, the shadow effects and the powerful refractions of the pigments on the walls modify our way of apprehending the work.

In the first exhibition (Hors Cadre #1, 2015), the white rectangle, symbol of a pure canvas, was fractured and bent in order to give importance to the outside field.
For the second exhibition (Hors Cadre #2, 2016), the structures were separated and the voids opened up unexpected perspectives.

This third exhibition marks a break with the classic idea of the painting hanging on the wall : almost no angles, works that split into several elements and fill even more the space with their volume. The key element to this exhibition is the curb. It ties all the elements into a coherent, captivating... and yet still unseizable structure.