Stéphanie Nava

Born in 1973 - France


Stéphanie Nava was born in 1973 and has studied at the Beaux-Arts in Valencia. She works today between Paris, Marseilles and Milan.

Drawing occupies a central place in the work of Stéphanie Nava, alongside sculptures-objects, photographs and installations. Her work focuses on describing relationships, whether they are architectural, linguistic, social or sentimental. Focusing on the issues related to the ownership of the space and its domestication, Stéphanie Nava is interested in the way in which an individual or a society shape their relationship with the world.

Leaving an important place to the idea of dialogue and to words - minimal units of meaning of the language, in a resolutely plastic practice, Stéphanie Nava produces sometimes works that have as a starting point the etymology or the resonance and personal suggestive power of some words or phrases.

Stéphanie Nava was the winner of the Villa Medici ?Off Site? scholarship in 2005.

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Exposition « La luxuriance sauvage de leur ramifications », Galerie White Project, Paris (France)
Exposition « Graben für den Sieg oder die Gärten des Uberlebens , DieselKraftwerk KunstMuseum, Cottbus (Germany)
Exposition “Deux pieces meublées”, Galerie Municipale Jean Collet, Vitry (France)

Exposition « Phantasma Speculari », Musée d’Art Moderne de St Etienne, St Etienne (France)
Exposition « Egarements », Château d’Avignon, Les Saintes Marie de la Mer (France)
Exposition « Le Pont », Le [mac] & Hôtel du Nord, Marseille (France)
Exposition « Graphic », Phakt, Centre Culturel Colombier, Rennes (France)
Exposition « Utopie distribuée », Galerie White Project, Paris (France)

Le logis des projection, Le Parvis Centre d’Art Contemporain, Pau (France) Frontaliers des rives - riverains des frontières, Musée des Mariniers & Moly-Sabata / Fondation Albert Gleizes, Sablons (France).

Lieux sans recours, Galerie White Project, Paris (France).
Considering a Plot (Dig for Victory), MOCAD, Detroit (USA).

L’ombre de l’autre rive, Galleria Riccardo Crespi, Milano (Italie)
Héroïne en quête de hors-champ, Agnès b., Marseille (France).

Outils de traduction, Fondation d’entreprise Lezigno, Béziers (France).
Considering a Plot (Dig for Victory), Centre d’Art Passerelle, Brest (France).

Considering a Plot (Dig for Victory), VIAFARINI DOCVA, Milano (Italie).
Considering a Plot (Dig for Victory), Centre d’Art de la Ferme du Buisson, Marne-la-Vallée (France).

Recouvrements successifs, Galeria Riccardo Crespi, Milano (Italie).
Désirs, entreprises, un panorama, Centre d’Art Passerelle, Brest (France).

En concomitance, Le Dojo, Nice (France).
L’élaboration des pièces, La Planck, Paris (France).

Vivimos aquì, Installation in situ, Hangar, Barcelona (Spain).
Compter jusqu’à trois, dans quelle direction? (avec Laurent Septier), Château de Valrose, Nice (France).

Vis à vis panorama point de vue fenêtre sur cour, Galerie du tableau, Marseille (France).
Toujours, déjà, au sein des multiples coïncidences, Galerie des Grands Bains Douches de la Plaine, Marseille (France).

Rusca – Rubus, (avec Laurent Septier), Tohu - bohu, Marseille (France).

Galerie Angle Art Contemporain, Saint Paul Trois Châteaux (France).

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