Galerie Thomas Bernard
Christmas List
From November 16, 2020 to December 31, 2020
Kevin Rouillard
Born in 1989 in Vendôme
Lives and works in Paris
For Kevin Rouillard, the context is never neutral, it determines the objects' status, their reception and value. Kevin Rouillard shows his lack of interest for oppositions between true or false, the original and the copy, in a system that creates value for artworks.
This may also explain his reluctance to circumscribe his work to postcolonial commitment (despite a maternal link with Cape Verde): he belongs to a generation of artists that has perceived the paradox of being allocated an identity to origins of which they actually have little knowledge. To broach the subject, he therefore finds oblique, non linear strategies, such as this last series.
To send products to Cape Verde, expatriates fill barrels because cargo transport isn't expensive, he says. "Once they arrive, these barrels become doors, wood-burning stoves, brushes, houses. I decided to transform them into twisted shields, used in the formation of Roman soldiers as a collective shell. Like a Trojan horse, the barrels have also become paintings.
(extract from Kevin Rouillard : futur fossile, QDA 08/072016, Pedro Morais)
Christmas List
From November 16, 2020 to December 31, 2020
Sculpture Showroom
From September 5, 2020 to September 30, 2020
Summer Showroom
From July 10, 2020 to August 31, 2020
Le Grand Mur
From June 15, 2020 to September 30, 2020
Showroom
From January 25, 2020 to February 26, 2020
Masterpieces 2
From September 7, 2019 to October 2, 2019
Masterpieces
From July 30, 2019 to August 8, 2019
Who is the artist?
Kevin Rouillard
Born in 1989 in Vendôme
Lives and works in Paris
For Kevin Rouillard, the context is never neutral, it determines the objects' status, their reception and value. Kevin Rouillard shows his lack of interest for oppositions between true or false, the original and the copy, in a system that creates value for artworks.
This may also explain his reluctance to circumscribe his work to postcolonial commitment (despite a maternal link with Cape Verde): he belongs to a generation of artists that has perceived the paradox of being allocated an identity to origins of which they actually have little knowledge. To broach the subject, he therefore finds oblique, non linear strategies, such as this last series.
To send products to Cape Verde, expatriates fill barrels because cargo transport isn't expensive, he says. "Once they arrive, these barrels become doors, wood-burning stoves, brushes, houses. I decided to transform them into twisted shields, used in the formation of Roman soldiers as a collective shell. Like a Trojan horse, the barrels have also become paintings.
(extract from Kevin Rouillard : futur fossile, QDA 08/072016, Pedro Morais)
When was Kevin Rouillard born?