Luc Bernad

From a drawing, composed of a single line, identified as original at the Beaux-Arts in Metz in 1973, an alphabet was formed on a daily basis in connection with music and dance to create a language. Composed in parallel with a life of an artist ranging from various cycles of meticulous illustration to the pen and travel diaries, to graffiti and to concert-painting performances, the rhythm of the Line has developed its full amplitude since 2010 with a work diversion of a tool confined to decoration. Airbrush. It gives unparalleled continuity in the expression of these lines. The movement and dexterity necessary for its use are the subject of research by the artist in order to create graphics in osmosis with fast-paced music, headphones on the ears. “Draw music”. Since 2016, the concert performance has deepened the relationship pushed to the extreme between music and the hand dancing on the canvas. The neologism "Toutélié" characterizes its composition and the depth offers a walk in a deliberately suggested universe, thus opening up to discovery and the possibility of telling a story. Freely.