Renato Montanaro

Renato Montanaro sublimates the unusual. Whether temporal or cultural, the master spares us no shock. Inspired by a time when hegemonic light, controlled colors and bombastic poses dressed the walls of an overconfident aristocracy, Renato Montanaro nonetheless remains an artist stimulated by a disoriented 21st century. Much more than simple incongruous marriages between worlds that were never to meet, the works of Renato Montanaro are clear proof that the border between major art and popular art is only a vision of minds too narrow to understand the sincerity of a creative impulse. Diverting, modeling, also sometimes heckling his characters Renato Montanaro sublimates the unusual. Whether temporal or cultural, the master spares us no shock. Diverting, modeling, sometimes heckling also his presumptuous characters, according to his good pleasure, the artist attaches particular importance to the nobility rediscovering its letters thanks to a plebeian plastic expression, definitively claimed as such. Outright, according to his good pleasure, the artist attaches particular importance to the nobility rediscovering its letters thanks to a plebeian plastic expression, definitively claimed as such. Renato Montanaro endlessly declines his bulldog. Since 2004, Hector has been dressed in bronzeresine, brushed or chiseled aluminum, in sizes ranging from natural size (H 45cm x W 86cm) to monumental sculpture (H1.3m X L2.5m)