Den.End

Drawing inspiration from pop art and aboriginal art, Den.End, the masked man, wishes to see art expressing itself everywhere and allowing the encounter with the other. Coming from a difficult background, he knows the street well, art becomes a refuge for him. At its beginnings, Den.End draws on postcard formats, then assembles them to form paintings. Subsequently, while living in a hostel, he met Methab Ali, a Pakistani painter who offered him to collaborate on one of his large-format works. His life and career then take a turn; in fact, he made his first sales and exhibitions based on his work at the posca. At the heart of his artistic approach, he becomes aware of his attraction for exchange, sharing, and solidarity. Expressive, colorful, rich in symbols, his works are an ode to life.