Morphoval

"The truth of man is first of all what he hides". A. Malraux At the dawn of the 4th Copernican revolution, serendipity perpetually reminds me of a state of apprenticeship in “evolutionary crisis”, according to Satprem.

At the moment, my pictorial work and my digital creations are inspired by various and varied research on the structure of the so-called lacunar universe, the turbulence of fluids, morphogenesis, cymatics, the "language" of colors, iridescence , bioluminescence, fractals, elementary symbolism and nature, prior to all human creations such as microorganisms at the origin of life.

Many ancient myths describe the process of creating our world as a gradual shaping and solidification of an original oscillating, sonic, and oceanic world. The form is a "coagulated" sound, the body a resonant body. This refers to the research work of Hans Jenny and Alexander Lauterwasser on the acoustic figures poetically named "Harmony and universal vibratory creations".

Sensitive to the arts, it was first through the initiation into classical music through a string instrument like the piano that I was able to experience the world of sound frequencies. Interested at the age of 7 by the works of Claude Monet, Vincent van Gogh, Vassily Kandinsky, Katsushika Hokusai, Zao Wou Ki, Hundertwasser, Salvador Dali, Jerôme Bosch and other artists without counting the Aboriginal painters, I felt this resonance between sound frequencies, color vibrations and morphogenesis of living things.

The intuition of a “everything is linked” represented a few times in the course of human history by a “universal symbolism” and dreamlike and mythological interpretations of first peoples transmitted to our contemporaries.

Moved by a functioning of arborescent thoughts and an exacerbated sensitivity linked to a type of synesthesia; each creation is a form of interpretation in layers and colored rhythms encompassing a sensitive relationship with nature, a conscious and unconscious memory of living things, an impact linked to human behavior in the environment, an awareness of the "non-knowing" and impermanence.

Technique: Digital Art, digital creation