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Chris Ellis (Daze)

Born in: 1961

United States

Biography
Chris Ellis (Daze) is an American artist, born in 1961. He lives and works in New York. He began his prolific career by painting in the New York metro during the 70's, while going to High School of Art & Design. He is one of the only artists who managed to succeed the transition from metro to studio. He displayed his work along with great artists like Jean-Michel Basquiat and Keith Haring, during an exhibition at Mudd Club in 1981. Since then, his work has been exhibited in numerous personal exhibitions in cities like Monte Carlo, Hong Kong, Paris, New York, Beijing, Chicago and Singapore. His work is part of many public collections around the world like MoMa in New York, The Brooklyn Museum, the Groninger Museum in Netherlands and private collections like Madonna or Eric Clapton to name a few.
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    Tags
  • Painting

  • Painting Portrait

  • Painting Street art

  • Painting Nude

  • Painting Everyday life

  • Print

  • Print Street art

  • Drawing

  • Drawing Street art

  • Drawing Portrait

  • Painting Watercolor

  • Print Screen

  • Painting Acrylic

  • American Artist

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Chris Ellis (Daze), Under the Bridge, Painting

Chris Ellis (Daze)

Under the Bridge, 1987
28 x 22 inch
Painting

$5,468

Chris Ellis (Daze), Rush hour, Print

Chris Ellis (Daze)

Rush hour, 2017
19.7 x 27.6 inch
Print

$243

Chris Ellis (Daze), Forty Duce, Painting

Chris Ellis (Daze)

Forty Duce, 1987
66 x 88 inch
Painting

$24,304

Chris Ellis (Daze), I'm Not Coming to Visit, Painting

Chris Ellis (Daze)

I'm Not Coming to Visit, 1994
39.8 x 39.8 inch
Painting

$15,190

Chris Ellis (Daze), While the city sleeps, Print

Chris Ellis (Daze)

While the city sleeps, 2010
27.6 x 19.7 x 0.4 inch
Print

$425

Chris Ellis (Daze), 180th Street, Painting

Chris Ellis (Daze)

180th Street, 2011
17.7 x 24 inch
Painting

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Few works remaining by Chris Ellis (Daze)

These are the last remaining works by Chris Ellis (Daze).
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Galerie Brugier Rigail

My urban art collection
From May, 18 To June, 21 2017

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