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Eduardo Arroyo, Carmen Amaya, Waldorf Astoria III

Eduardo Arroyo Carmen Amaya, Waldorf Astoria III, 2017

View in a room Drawing 8.3 x 5.9 inch Unique artwork


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Eduardo Arroyo, Carmen Amaya, Waldorf Astoria III
  • Offered by the gallery

    Les artistes témoins
    Maxéville - France

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Drawing : pencil

  • Themes

    Portrait, Pop Art

  • Support

    Drawing on paper

  • Type

    Unique work

  • Dimensions cm | inch

    8.3 x 5.9 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    Dessin original à la mine de plomb signé et daté par l'artiste en bas vers le milieu. Ce dessin est reproduit dans l'ouvrage "Eduardo Arroyo ou le Paradis des mouches" de Fabienne di Rocco. Au dos, mention manuscrite de l'artiste : "Eduardo Arroyo ou les Paradis des mouches".

    • Tags
    • portrait

    • pop art


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Eduardo Arroyo

Born in: 1937


Famous artist

Born in Madrid, in 1937, he leaves Franco?s Spain and moves to Paris in 1958.

His work has some militant and violently critical stages, but also some funny or more tender stages.

Themes such as the role of the painter in society and the situation of the exiled intellectual generated some narratively rich artworks of his.

Spain?s return to democracy made him leave aside the revolutionary and accusatory side of his paintings and brought about an evolution in his questioning of the role of painting.

He rediscovers Spain, falls in love with the country again and becomes sensitive to the Spanish clichés; in Madrid-Paris-Madrid, the cities that marked his life, he represents a decor of an arena in red and yellow.
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Eduardo Arroyo, Carmen Amaya, Waldorf Astoria III
Eduardo Arroyo, Carmen Amaya, Waldorf Astoria III Eduardo Arroyo, Carmen Amaya, Waldorf Astoria III Eduardo Arroyo, Carmen Amaya, Waldorf Astoria III

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