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Hermann Amann, Passage du mur de feu

Hermann Amann Passage du mur de feu , 2008

View in a room Painting 29.5 x 41.7 inch Unique artwork

$9,480

+$435 Delivery fees for United States Delivery : One to two weeks

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Hermann Amann, Passage du mur de feu
Description
  • Offered by the gallery

    Professional art gallery
    Quetigny - France

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Painting : acrylic

  • Themes

    Abstract

  • Support

    Painting on paper

  • Type

    Unique work

  • Dimensions cm | inch

    29.5 x 41.7 inch

  • Framing

    Black wood frame with glass

  • Collector’s Guide

  • About the artwork

    Mouvement : Nouvelle Pigmentation.

    • Tags
    • abstract

    • works on paper

    • nouvelle pigmentation

Delivery

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The artwork is available for pickup from the gallery in ( Quetigny , France) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.
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Hermann Amann

Born in: 1934

Germany

Hermann Amann was born in 1934 in Bad-Bellingen, Germany. Hermann Amann was quickly accustomed to the idea of "Thoughts" and despite his young age, he mixed with the Circle of Basel and became friends with Karl Jaspers.

He came to Paris in 1954, and dedicated himself to painting and demonstrated the refusal for dominating movements and publicized art in his work. Amann decided to take a certain path and hasn't left since, a practice where permanent dialog with philosophy and studying art is still preserved from the impoverishing effects of fashion, namely painting.

In the 80's, he knew that it was impossible for existing pictorial material to be combined with "the higher space of color", therefore he decided to look for new materials, techniques and shapes. He created the «Nouvelle Pigmentation» in 1986. Initially it was to show that color wasn't satisfied with the classical means of presentation (gouache, watercolors, oil etc.) to display its true strength.

Hermann Amann discovered that he was genuinely interested by Kandinsky strokes, Herbin's triangles or even Pollock's drippings, who are creative themselves and don't use existing forms to represent art.

But early 80's, he came across the group «New New Painting» from New York, polymer gel (a binder that can be preserved without altering the reflective property of fluorescent pigments) and the invention of the particle (a form which has the ability to contain the fluorescent by imposing the look towards an indirect vision of colors that it covers), therefore an accomplishment of his research.

Since then, as he has found a unique and new language, he today uses several themes of thoughts with this unprecedented technique.
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Hermann Amann, Passage du mur de feu
Hermann Amann, Passage du mur de feu

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