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Guy Faidy, Untitled 3494

Guy Faidy Untitled 3494, 2010

View in a room Painting 39.4 x 39.4 x 0.8 inch Unique artwork

$2,322

+$161 Delivery fees for United States Delivery : Two to three weeks

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Guy Faidy, Untitled 3494
Description
  • Offered by the gallery

    Galerie Jean-Louis Cléret
    Guingamp - France

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Painting : acrylic

  • Themes

    Abstract

  • Support

    Painting on canvas without stretcher

  • Type

    Unique work

  • Dimensions cm | inch

    39.4 x 39.4 x 0.8 inch

  • Framing

    Beige wood frame

  • Artwork dimensions including frame

    0 x 0 x 0 inch

  • Collector’s Guide

    • Tags
    • abstract

Delivery

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The artwork is available for pickup from the gallery in ( Guingamp, France) or can be delivered to the address of your choice within 2 to 3 weeks after validation of your order. The work is insured during transport, so it's risk-free.


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Guy Faidy

Born in: 1952

France

Guy Faidy was born in Carhaix in 1952. He has always been painting. He lives and works in Saint Brieuc.

His work is a studio production, never determined by the exhibiting place. What he shows comes from the observation of the nature; a summoned nature rather source than model. He gets from her its rhythms, colors, forms and movements which he then organizes.

Nothing, here, is spontaneous or unconscious, but rather the slow and resolute result of a musing and a productive, deliberate and active meditation. An abstraction? Yes and no. In any case, a pictorial production with no concern of representation, perspective, "resemblance". He suggests the watcher to discover, to go in the unseen rather than to recognize (and maybe feel reassured).

The wind, the sea, the fields, the clouds passing, all these dynamics, these movements are the compost of its work: setting free what shows, looking through the "model", drawing lineaments, thinking of the color, giving importance to the gesture and the movement. For, in the end, giving a picture, which, from a distant, even forgotten, reference, shows its improper novelty, its unforeseen appearance.
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Guy Faidy, Untitled 3494
Guy Faidy, Untitled 3494

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