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Robert van Bolderick, History is a pile of debris

Robert van Bolderick History is a pile of debris, 2018

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$5,691

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The artwork is available for pickup from the gallery in Stockholm, Sweden


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Robert van Bolderick, History is a pile of debris
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Informations about this artwork
  • Medium

    Painting : acrylic, ink, collage

  • Dimensions cm | inch

    35.4 x 47.2 x 1.6 inch

  • Support

    Painting on canvas on stretcher

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Offered by the gallery

    Professional art gallery
    Antibes - France

  • About the artwork

    Artwork sold in perfect condition

    Its from a serie of paintings about fragments, clues and sequences that is our memories and dreams.
    Are we just images in someones dream.

    Robert creates paintings notable for their texture, and sculptural presence with layers of impasto paint. His richness of palette and his use of strong colors that he put on linen canvas, creates a compelling work of mixed media art by which the viewer feels endlessly absorbed.

    The paintings may appear to refer to a typically Dadaist aesthetics, but at the same time they’re purged of the Dada polemic force and iconoclastic fury. In fact, the paintings colour, cut-outs, symbols of a mysterious past, like of the present, slowly emerge on the surface in a continuum of summons and recovery, composing and compressing themselves into new formal structures capable of returning the memory of reasons and feelings, and emotionally closer to the Rauschenberg’s memory to aim for a particular text and image to have an underlying meaning.
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Delivery
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Robert van Bolderick

Sweden Born in: 1968
Translation in progress

By using a mixed technique that combines acrylic, oil, gauche, tempera, to the praxis of collage, it gives life to the artworks with a dreamlike and vibrant scenario that imprison on the canvas tracks of the real and of metaphorical evocations. Rhythm, pattern and balance is important in the paintings. Images and text fragments sticks out, but don't give the viewer all information, just like dreams and memories its fragmented and fuzzy, just gives a glimpse of what have happened.

Using collage is influenced and refer to a typically Dadaist aesthetics, but at the same time they're purged of the Dada polemic force and iconoclastic fury. In fact, the paintings colour, cut-outs, symbols of a mysterious past, like of the present, slowly emerge on the surface in a continuum of summons and recovery, composing and compressing themselves into new formal structures capable of returning the memory of reasons and feelings, and emotionally closer to the Rauschenberg's memory to aim for a particular text and image to have an underlying meaning.

Documenting the lives and our footprint through time and what the future has to show, history repeats itself. This has happened, mixed with a dreamy, ethereal world.

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Robert van Bolderick, History is a pile of debris
Robert van Bolderick, History is a pile of debris Robert van Bolderick, History is a pile of debris Robert van Bolderick, History is a pile of debris Robert van Bolderick, History is a pile of debris