Mina Mina Jukurrpa - Ngalyipi, 2013

by Margaret Lewis Napangardi

Painting : acrylic 11.8 x 11.8 inch

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About the artwork

Type

Unique work

Signature

Not Signed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Painting: acrylic

Dimensions cm inch

11.8 x 11.8 inch Height x Width x Depth

Framing

Beige wood chassis

Artwork dimensions including frame

11.8 x 11.8 inch


Artwork sold in perfect condition

Artwork location: France

Mina Mina - Ngalyipi is a dream associated with the Mina Mina site which is an important ceremonial site for Warlpiri women. This site is located far east of Yuendumu near Lake Mackay near the border of the Western Territories. The guardians of this Dreamtime are the Napangardi / Napanangka women as well as the Japangardi / Japanangka men. This story tells of the journey of a group of women of all ages who traveled eastwards performing ceremonies, while gathering food and collecting Ngalyipi (serpent lianas). The women began their journey at Mina Mina where the "Karlangu" (stick which is used to dig or bury seeds) arose from the earth. With these instruments, the women traveled east creating the site of Janyinki as well as other sacred sites. Their journey has taken them beyond the borders of Warlpiri country. The Ngalyipi vine reaches the trunks and branches of trees called "Kurrkara" (desert oaks). The wavy lines that we can observe in this work represent this vine, sacred vine for the Napangardi and Napanangka women. This liana has many virtues and multiple uses, including medicinal. It is sometimes used as a ceremonial wrap, as a strap to carry wooden bowls filled with food or as a "tourniquet" to relieve headaches.
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About the seller

Professional art gallery • France

Artsper seller since 2018

Vetted Seller


Collector’s Guide

Imagine it at home

Margaret Lewis Napangardi, Mina Mina Jukurrpa - Ngalyipi
Margaret Lewis Napangardi

Margaret Lewis Napangardi

Australia  • 1952

Margaret Lewis Napangardi was born in 1952 in the northwest of Australia, on Mount Doreen Station. Her parents and her deceased sisters are renowned aboriginal artists.

She grew up in the Bush besides her family, who passed on to her an invaluable cultural background.
Before moving to Yuendumu, she had never seen a white person before.

At first she started practicing Batik, a technique of printing on fabric and it was not until 1980 that she started painting.

Margaret Lewis Napangardi addresses several subjects in an instictive way. She paints with her own unique style, difficult to attach to one specific style. She uses mostly vivid colors to paint, which allows her to tell the stories of the aborigines, specially from women.

She has participated in several exhibitions since a young age.
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