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Sylvie Guyomard Suspensions XVII (SG-P18), 2017

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$USD 981

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Galerie ACABAS

Bois Guillaume, France

Artsper seller since 2015
73 orders finalized
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Sylvie Guyomard, Suspensions XVII (SG-P18)
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Informations about this artwork
  • Medium

    Painting : oil, nacre

  • Dimensions cm | inch

    30.3 x 23.6 x 0.4 inch

  • Support

    Painting on plexiglass

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    In her paintings from the "Suspensions" series, Sylvie Guyomard pursues her research on light effects. On a bare canvas, without preparation, the artist spreads fine streams of oil and pigments which are juxtaposed vertically. Through this colored curtain, a few inlays (white gold, mother-of-pearl, partitions, etc.) thus recreate the effects of moiré and lightness. ... It's a real hanging painting that interests me; lightness and transparency, fluidity and flow. It is even more evident on the plexiglass, with always this rhythm which inhabits me ... Sylvie Guyomard The works are without frame, placed on the wall; the title "Suspensions" speaks for itself.
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Sylvie Guyomard

France Born in: 1964 Emergent Artist
Born in 1964, Sylvie Guyomard is a plastic artist who, after having studied at the Beaux-Arts School in Paris, studied mural painting; she is also passionate about architecture.

Her creations are influenced by nature, she is interested in volcanic eruptions, in geology, in fossils; everything that involves the ?boiling? of the earth.

Sylvie Guyomard has worked in the beginning with inlays of materials to arrive today to something more ?zen?, all the while following her own path.

From her third project on, she has been using slate. She works with this material in order to show and use the light. The search for reflections, the strong contrasts, she goes from light gray to black , in some cases adding inlays to accentuate the mysterious side, reminding of icons a little.

Sylvie Guyomard likes the idea that the observer becomes an actor, that we can move around the work and be able to contemplate each angle and see the piece so differently from one place to another. For her, the light is part of the piece and it can make it evolve through the day and the seasons.
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Sylvie Guyomard, Suspensions XVII (SG-P18)
Sylvie Guyomard, Suspensions XVII (SG-P18) Sylvie Guyomard, Suspensions XVII (SG-P18) Sylvie Guyomard, Suspensions XVII (SG-P18)