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Paula Wilkins, The Poetess II 1489

Paula Wilkins The Poetess II 1489, 2015

View in a room Photography 23.6 x 19.7 x 1 inch Unique artwork


+$104 Delivery fees for United States Shipped in time for Christmas : Less than one week
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Paula Wilkins, The Poetess II 1489
  • Offered by the gallery
    London - United Kingdom

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • Medium

    Photography : HD print

  • Themes


  • Support

    Photography on aluminium

  • Type

    Unique work

  • Dimensions cm | inch

    23.6 x 19.7 x 1 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    Professional quality photographic print' face-mounted with acrylic and backed with aluminium. Each Print has an integral sub-frame for hanging which allows the piece to 'float'.

    'The Poetess I, II and III' Forms part of the 'Tracing the Future' series that explores the constantly re-mediated image in the digital age and suggests a future for much loved renaissance pieces. This piece re-imagines Leonardo' da Vinci's 'Lady with the Ermine'. Editions I, II and III each hold subtly differing qualities as the 'trace marks' created by the process cannot be repeated, and thus the portraits, though similar hold personalities of their own.

    • Tags
    • portrait


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Paula Wilkins

United Kingdom

Translation in progress

In 2013 Paula completed a Diploma in Art and Design at Putney School of Art. Her working style is based around a family crisis which happened a decade ago and explores absence, loss and separation.

Paula uses a variety of mediums to communicate her feelings and emotions about existing, revered imagery. Extensive initial research and focus on an idea invariably leads to a particular route presenting itself to her as the best way to move forward and from this point on, a process of learning and exploration begins on a continuum basis. Each artwork evolves alongside Paula's increased understanding of the original image it references and her handling and management of the chosen medium.

Her latest series explores the continuous mediation of a single image via mechanical processes. The mediated image evolves as it is processed through multiple mechanical methods, gathering unique characteristics at each stage which alter it through enhancement or degradation and dislocate it from its original state and intended meaning. Through experimentation and mechanical exploitation of borrowed images she explores new ways to combine and capture idiosyncrasies, showing the potential for a new narrative through her resultant artworks.

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Paula Wilkins, The Poetess II 1489
Paula Wilkins, The Poetess II 1489

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