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Richard Dell'aiera, La femme au fond de la pièce

Richard Dell'aiera La femme au fond de la pièce, 2015

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The artwork is available for pickup from the gallery in Paris, France

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Richard Dell'aiera, La femme au fond de la pièce
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Informations about this artwork
  • Medium

    Photography : inkjet

  • Dimensions cm | inch

    40.6 x 59.1 x 0.8 inch

  • Support

    Photography on fine art paper

  • Framing

    Not framed

  • Type

    Numbered and limited to 10 copies
    4 remaining copies

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • Offered by the gallery

    Professional art gallery
    Paris - France

  • About the artwork

    Artwork sold in perfect condition

    Venetian Blinds met en scène dans des décors intimistes des personnages aux prises avec leurs
    tourbillons émotionnels. Mélangeant l’usage de la photographies et de la 3D, une réflexion est amenée sur le réel et l’artifice en créant une nouvelle dimension : il ne s’agit pas d’une photographie qui montre ce qui existe, mais d’une photographie qui crée un univers autre, des situations proche de la réalité sans vraiment en être.

    L’esthétique numérique opposée à l’abandon des personnages à leurs émotions, amène à douter du caractère matériel ou immatériel des décors et des figures représentées.L'ambiguïté ralentis la lecture de l’image par le spectateur, le poussant à se poser la question de la vraisemblance de la scène. En cultivant un entre-deux dans ma recherche esthétique, les images ne basculent pas totalement dans l’imaginaire, mais gardent un ancrage au réel.
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Richard Dell'aiera

France Born in: 1989

Sicilian artist Richard Dell'aiera, was born in the East of France in the late 80's. He became interested in art at a young age thanks to his father and went on to study at l'ecole supérieure d'art de Lorraine, and then at l'école nationale supérieure Louis Lumière. 

Dell'aiera is a multi-disciplinary artist who is no stranger to experimenting with different mediums. He says that he belongs to the TV generation, hence why film has heavily influenced his work. He is studying the impact of cinema on memory. Which memories stay? And why do we remember certain scenes more than others? These are just a couple of the many questions that Dell'aiera tries to answer.

Through photography, he is reinventing the lasting emotions we associate with films. He questions the past by recontextualising it in the present day. The works in his S-nights series invite the spectator into muted, nocturnal scenes. Meanwhile, in Levitas, he surprises the spectator with gravity defying houses.

Since 2017, Richard Dell'aiera has exhibited in China and Korea and has founded his own studio 'Souffle'.

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Richard Dell'aiera, La femme au fond de la pièce
Richard Dell'aiera, La femme au fond de la pièce