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Jill Peters, Landscape II

Jill Peters Landscape II, 2015

View in a room Photography 40 x 60 inch 1 remaining copy

$4,000

+$93 Delivery fees for United States Delivery : One to two weeks Try the artwork out for free for 14 days
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Jill Peters, Landscape II
Description
  • Offered by the gallery

    Professional art gallery
    Bay Harbor Islands - United States

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • Medium

    Photography : archival pigment print

  • Themes

    From the sky

  • Support

    Photography on fine art paper

  • Type

    Numbered and limited to 10 copies

  • Dimensions cm | inch

    40 x 60 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    Landscape II by Jill Peters
    40" x 60"
    2015
    Edition 5 of 10
    Archival Pigment Print

    All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales.

    Additional sizes and editions available
    48" x 72"
    Edition 2 of 3
    _____________________

    Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier, and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair and many more publications.
    Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
    Jill was recognized in Photo Lucida’s Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.

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The artwork is available for pickup from the gallery in ( Bay Harbor Islands, FL, United States) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.


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Jill Peters

United States

Translation in progress

Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper's Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications.

Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track.

Shooting mostly from the air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man's wider imprint on nature. Whether it's the graphics symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.

Jill was recognized in Photo Lucida's Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.

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Jill Peters, Landscape II
Jill Peters, Landscape II

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