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Jill Peters Beach II, Nude Beach and Sandbar, Medium Aerial Triptych, 2015

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$USD 6,000

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The artwork is available for pickup from the gallery in Bay Harbor Islands, FL, United States


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About the seller
The Art Design Project

Bay Harbor Islands, United States

Artsper seller since 2019
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Jill Peters, Beach II, Nude Beach and Sandbar, Medium Aerial Triptych
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Informations about this artwork
  • Medium

    Photography : Water, sand, archival pigment print

  • Dimensions cm | inch

    27 x 117 inch

  • Support

    Photography on fine art paper

  • Framing

    Not framed

  • Type

    Numbered and limited to 15 copies
    1 remaining copy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • About the artwork

    Artwork sold in perfect condition

    Beach II, Nude Beach and Sandbar by Jill Peters
    Individual size: 27" x 39"
    Overall size: 27" x 117"
    Print
    Unframed

    All sizes signed, titled, dated, and numbered on artist label verso.
    Additional sizes are available. All Prices are quoted as "initial price".
    Please note that prices and availability may change due to current sales.
    _____________________________
    Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.

    Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair and many more publications.
    Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
    Jill was recognized in Photo Lucida’s Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.
    Read more
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Origin: United States
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Go further

Jill Peters

United States

Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper's Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications.

Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track.

Shooting mostly from the air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man's wider imprint on nature. Whether it's the graphics symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.

Jill was recognized in Photo Lucida's Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.

Read more


Jill Peters, Beach II, Nude Beach and Sandbar, Medium Aerial Triptych
Jill Peters, Beach II, Nude Beach and Sandbar, Medium Aerial Triptych