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José Sierra "18", 2020

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$USD 2,000

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The artwork is available for pickup from the gallery in Bay Harbor Islands, FL, United States


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About the seller
The Art Design Project

Bay Harbor Islands, United States

Artsper seller since 2019
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José Sierra,
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Informations about this artwork
  • Medium

    Photography : color edition, archival pigment print

  • Dimensions cm | inch

    40 x 23.09 x 0.1 inch

  • Support

    Photography on fine art paper

  • Framing

    Not framed

  • Type

    Numbered and limited to 12 copies
    2 remaining copies

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Not Signed

  • About the artwork

    Artwork sold in perfect condition

    18, 2020 by Jose Sierra
    From "La Piedra Sustituta" Series
    Image size: 40 in. H x 23.09 in. W
    Edition of 10 + 2AP
    Unframed

    Additional sizes are available.

    More Sizes Available:

    Small size: 24 in. H x 14.39 in. W
    Edition of 10 + 2AP

    Large size: 60 in. H x 35.99 in. W
    Edition of 10 + 2AP
    __________________________________________
    "La Piedra Sustituta" Series
    Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing.
    The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.
    Read more
Delivery
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Origin: United States
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Go further

José Sierra

Colombia Born in: 1991
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.

In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra’s ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation.”
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José Sierra,
José Sierra, José Sierra, José Sierra, José Sierra,