Hans Bellmer Œillades ciselées 11, 1972

Name: Œillades ciselées 11
Brand: Artsper
Price: 450 EUR
Availability: InStock

View in a room Print 26.4 x 19.7 inch 1 remaining copy

$531

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Description

Offered by the gallery

Galerie Hus
Paris - France
Authenticity

Work sold with an invoice from the gallery
and a certificate of authenticity
Signature

Hand-signed by artist
Medium

Print : aquatint, eau-forte
Themes

Etching
Support

Print on Arches paper
Type

Numbered and limited to 150 copies
Dimensions cm | inch

67 x 50 cm 26.4 x 19.7 inch
Framing

Not framed
Collector’s Guide
About the artwork

Hand-signed etching and aquatint on Arches cream paper, numbered in pencil by the artist
Edition of 150 impressions
Sheet sizes : 50 cm x 67 cm
Image sizes : 30 cm x 40 cm

Mint condition.
- etching

Delivery

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The artwork is available for pickup from the gallery in ( Paris, France) or can be delivered to the address of your choice less than a week after validation of your order. The work is insured during transport, so it's risk-free.

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Hans Bellmer

Born in: 1902

France

Hans Bellmer was born in 1902 in Kattowitz and died in 1975 in Paris, he is a French and German painter, photographer, engraver and sculptor. And is most of all one of the major representatives of Surrealism. In 1923, Hans Bellmer started his studies at the Technical University of Berlin. Over there, he got particularly interested in politics, the work of Karl Mark, and the realisations of the artist Dada. Soon, Hans Bellmer did his first of several journeys to Paris, where he met the Dada and Surrealist communities. When he came back to Berlin, he decided to open an advertising studio. In 1933, his work and in particular his Poupées, are compared to «degenerated art» according to the Nazis that just came to power. In 1923, he decided to definitely settle in Paris where he participated for a few years in the Surrealist exhibitions. At the beginning of the Second World War, Hans Bellmer was trapped at the Camp des Milles with artists as Max Ernst, Springer and Wols. In the 1930’s until his death, Bellmer worked almost exclusively from erotic images always feminine, most of the time from the body of a battered woman. The work of Hans Bellmer is often wrongly compared to perversion. His work is above all a precious poetic testimony of Surrealism, of course in the most extreme way.