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Mimmo Rotella, Some Like It Hot

Mimmo Rotella Some Like It Hot, 2005

View in a room Print 19.7 x 27.6 inch 3 remaining copies


+$71 Delivery fees for United States Delivery : One to two weeks

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Mimmo Rotella, Some Like It Hot
  • Offered by the gallery

    Deodato Arte
    Milano - Italy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Print : Screen Print

  • Themes

    Icons, Cinema

  • Support

    Print on paper

  • Type

    Numbered and limited to 199 copies

  • Dimensions cm | inch

    19.7 x 27.6 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    Décollages by Mimmo Rotella from the art book: "Marilyn eternal beauty", by Mimmo Rotella and Alda and Merini. This famous décollages is combined with an unpublished poems of Alda Merini décollages, just like everyone else in the book; circulation: 199 copies, all signed and numbered. Rotella technique is very particular and consists in tearing two or more posters glued to each other.

    Some like it hot 1956 by Billy Wilder, with Marilyn Monroe, Jack Lemmon, Tony Curtis, it's undoubtedly one of the masterpieces of the director as well as one of the funniest comedies of cinema, played on the ambiguity, the mask and sex.

    • Tags
    • iconic

    • marilyn monroe

    • nouveau realisme

    • ultra lettrisme


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Mimmo Rotella

Born in: 1918


Mimmo Rotella (Domenico Rotella), (born Oct. 7, 1918, Catanzaro, Italy - died Jan. 8, 2006, Milan, Italy), is an Italian artist who was best known for his extravagant “double décollages,” which he crafted by ripping posters (particularly movie advertisements) off exterior walls, attaching the fragments to canvases, and then tearing off smaller pieces from the posters to create colourful, often amusing, collages. Mimmo Rotella was the only Italian artist formally linked to the French Nouveau Réalistes artists, with whom he exhibited in the 1960s. Rotella studied art in Naples and held a Fulbright scholarship (1951–52) at the University of Missouri at Kansas City, where he was admired for his experimental “phonetic” poetry. He returned to Italy in 1953 and abandoned painting for his signature décollages and assemblages, into which he incorporated textiles and other materials. Later he experimented with acrylic paint and photographic elements. Rotella lived in Paris in the 1960s and ’70s, but in 1980 he settled in Milan.
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Mimmo Rotella, Some Like It Hot
Mimmo Rotella, Some Like It Hot Mimmo Rotella, Some Like It Hot

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