Maurice Douard Cuba la rouge , 2017

Name: Cuba la rouge
Brand: Artsper
Price: 1100 EUR
Availability: InStock

View in a room Print 20.1 x 29.9 x 2 inch 1 remaining copy

$1,303

+$155 Delivery fees for United States Delivery : One to two weeks Add to my favourites 1 remaining copy 14 people are looking at this artwork

View in a room

Description

Offered by the gallery

L'Academie
AJACCIO - France
Authenticity

Work sold with an invoice from the gallery
and a certificate of authenticity
Signature

Hand-signed by artist
Medium

Print : C-print
Themes

Street art, Icons
Support

Print on plaster
Type

Numbered and limited to 5 copies
Dimensions cm | inch

51 x 76 x 5 cm 20.1 x 29.9 x 2 inch
Framing

Black wood frame
Artwork dimensions including frame

53 x 78 x 5 cm 20.9 x 30.7 x 2 inch
Collector’s Guide
- Collecting Prints
- Types of prints
About the artwork

Print on Baryta paper, mounted on plaster.
- street art
- iconic
- che guevara

Delivery

Artsper's galleries deliver artworks worldwide and using specialised carriers.

The artwork is available for pickup from the gallery in ( AJACCIO, France) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.

Payment

You can pay by credit and debit card, PayPal or bank transfer. We take fraud very seriously and respect your confidential information, which is why all payments are subject to 3D Secure validation.

Guarantee

Artsper's pledge of quality: We only work with professional galleries and guarantee the authenticity and provenance of our artworks.

Contact our experts

Any question about the artwork, the artist or the delivery?

Maurice Douard

Born in: 1951

France

Maurice Douard is a French artist born in 1951. He ended up at the Beaux-Arts in Toulouse in 1971, where he distanced himself from the institution. His fame as "teacher of the teachers" lead him up a solitary path. The Warsaw school of chromatology attracted him. Maurice Douard worked on light analysis, color dynamics, visual effects. Psychiatrists and psychologists backed him. This led him to express these theories with flat tint. He was looking for image deconstruction, but in a random way, favouring the approach by which the subject is fractured by human engineering. He shied away from all automatism linked to any form of machinery. 1990, disease struck him again and for 10 years his struggle against the disease will estrange him somewhat from the world, he will put a lot more effort in his inner circle and his atelier. Out of this distressing experience, a vision and the implementation of his thoughts which are currently on display, will arise.