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Valerio Adami, Carte de visite

Valerio Adami Carte de visite, 1975

View in a room Print 24.8 x 21.7 x 0.8 inch 1 remaining copy

$562

Delivery : One to two weeks
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Valerio Adami, Carte de visite
Description
  • Offered by the gallery

    Galerie STACKLR
    SEDAN - France

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • Medium

    Print : lithography

  • Themes

    Nude

  • Support

    Print on paper

  • Type

    Numbered and limited to 75 copies

  • Dimensions cm | inch

    24.8 x 21.7 x 0.8 inch

  • Framing

    Black wood frame with glass

  • Collector’s Guide

  • About the artwork

    Lithographie de Valerio Adami, signée en bas à droite et numérotée à en bas à gauche 6/75 de la main de l'artiste.

    Parfait état. Bel encadrement récent. Origine ancienne galerie Artcurial (avenue Matignon, Paris).

    Artwork sold in perfect condition

    • Tags
    • figuration

Delivery

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The artwork is available for pickup from the gallery in ( Sedan, France) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.


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Valerio Adami

Born in: 1935 Italy

Famous artist

Biography

Valerio Adami is in Italian painter born on March 17, 1935 in the Italian city of Bologna. He is famous for his pintings with surfaces of flashy outlined by thick black lines, reminding of comics. He divides his time between France and Italy.

Adami was educated at Academy Brera in Milan between 1952 and 1954. He traveled to paris for the first time in 1955, where he met Roberto Matta. His first solo exhibition came in 1957 in Milan, with works inspired by Matta's surrealism.

In the late '60s, he became part of the Nouvelle Figuration (New Figuration) movement. Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. Adami's artworks were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat colour bordered by black lines. The artist subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms.

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Valerio Adami, Carte de visite
Valerio Adami, Carte de visite