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John Matos Crash, Popeye

John Matos Crash Popeye, 2013

View in a room Print 26.8 x 20.9 x 0.8 inch 1 remaining copy

$591

+$99 Delivery fees for United States Delivery : Less than one week
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John Matos Crash, Popeye
Description
  • Offered by the gallery

    Professional art gallery
    Paris - France

  • Authenticity

    Work sold with a certificate of authenticity

  • Signature

    Signed artwork

  • Medium

    Print : Screen print on Arches paper

  • Type

    Numbered and limited to 80 copies

  • Dimensions cm | inch

    26.8 x 20.9 x 0.8 inch

  • Framing

    Black wood frame with plexiglass

    • Tags
    • street art

    • popeye

Delivery

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The artwork is available for pickup from the gallery in ( Paris , France) or can be delivered to the address of your choice less than a week after validation of your order. The work is insured during transport, so it's risk-free.
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John Matos Crash

John Matos Crash

Born in: 1961

United States

Emergent Artist

Crash (John Matos) is a graffiti artist born in the Bronx on October 11, 1961. He is one of the major protagonists of the ?spray can (R)evolution?.

He starts to do graffiti while he is still very young, on the New York trains, before passing to canvas.

He joins the Sidney Janis Gallery in 1983. His works are acquired by the most important collections in the world, from the MoMA in New Yorks to the Stedelijk Museum in Amsterdam.

The public gets to know him when he co-produces, with Keith Haring, the Peter Stuyvesant advertising campaign. In France, he achieves fame after taking part in the 5/5 Figuration Libre exhibition France-USA at the Musée d'art moderne de la Ville de Paris in 1984. This exhibition featured the work of artists such as Basquiat, Boisrond, Combas, Keith Harring, Tseng Kwong Chi, Di Rosa... and John Matos Crash.

His style is close to comics, he uses flamboyant colors that remind us of the world of advertising and his works assert themselves as pure producs of the contemporary world. He is following the Pop Art lineage perfectly and raises again the so-called subculture to the status of ?high art?.

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John Matos Crash, Popeye
John Matos Crash, Popeye

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