Sharing, 2017

by Philip Hearsey

Sculpture : bronze 12.2 x 13 x 3.9 inch

$2,305

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9.6/10

About the artwork

Type

Unique work

Signature

Artwork signed in the mold

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Dimensions cm inch

12.2 x 13 x 3.9 inch Height x Width x Depth

Support

Sculpture sold with stone pedestal
Dimensions of pedestal: 2 x 5.9 x 5.9 inch

Display

The sculpture cannot be displayed outdoors


Tags

Abstract artworks

Abstract art

UK

Artwork sold in perfect condition

Artwork location: United Kingdom

Bronze on a Forest of Dean stone base.
Series of unique variations.
Stamped with monogram signature and uniquely numbered 656A on base of bronze.
The bronze pieces have brushed edges which show natural bronze in the narrow gap between the two.
Weight: 6.7kg
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About the seller

galerie bruno massa • France

Artsper seller since 2015

Vetted Seller

This seller rewards your purchases of multiple artworks


Collector’s Guide

Philip Hearsey

Philip Hearsey

United Kingdom  • 1946

Emerging artists

Philip Hearsey is a British sculptor born in 1946 who lives and works in Longtown, Herefordshire, UK. Philip has exhibited his work throughout the UK. He specializes in sand casting to make sculptures that engage the quality of bronze as a noble material in its own right. Casting in sand moulds is a simple and ancient method far removed from the sophisticated lost wax operation used by most art foundries. The sand casting process is relentless and unforgiving – the foundry is no place for a delicate original. It denies a complexity of form that imposes a disciplinary and enriching simplicity. Color is achieved in many ways. The most common and widely used method is to oxidize or patinate the bronze by employing the same chemical reaction that occurs in nature, but using a combination of mild heat and stronger solutions to achieve a faster result. Patination can be enhanced by the application of a transparent colorwash that maintains the inimitable variegated effects that are possible with oxidization, whilst producing a more vivid finish. The most usual colorwash is acrylic, but oil-bound washes or colored waxes are sometimes used. Coloring can also be achieved by painting alone and often this technique is utilized on part of a sculpture in combination with patination. Painting allows a greater range of colors than patination alone. All coloring is finished and protected by a marine grade lacquer and/or wax.


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