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Corinne Lisa Costello

Immortal, 2022

Painting : oil 28 x 36 x 3 cm

€480

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Corinne Lisa Costello, Immortal

About the artwork

Artwork sold in perfect condition

This painting was painted for a commission proposal for Piermont resort, on the East Coast of Tasmania where a series of 6 paintings have now been installed. From the guest studios one can see far out across the Tasman Sea where at dusk the sky and sea merge. Designed to capture the moody atmosphere of the beautiful landscape.
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About the seller
GALERIA AZUR • Madrid, Spain

Artsper seller since 2021

Vetted Seller

Dimensions cm inch
28 x 36 x 3 cm
Framing
Not framed
Type
Unique work
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Hand-signed by artist
Themes

Worldwide delivery

The artwork is available for pickup from the gallery in Madrid, Spain or can be delivered to the address of your choice within 2 to 3 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: Spain Find out more about delivery

Free returns

If you change your mind, you can send it back free of charge, and we'll reimburse you. Find out more about free returns

Payment and Guarantee

You can pay by credit and debit card, PayPal or bank transfer only in euros. We take fraud very seriously and respect your confidential information, which is why all payments are subject to 3D Secure validation. Find out more about payment
Artsper's pledge of quality: We only work with professional galleries and guarantee the authenticity and provenance of our artworks. Find out more about Artsper guarantee
Corinne Lisa Costello

Corinne Lisa Costello

Australia • Born in: 1965

Painters

Over the last 10 years I have traveled extensively in China and Japan studying Eastern philosophy and painting. I use Old Master's painting techniques to create oil paintings with an Eastern aesthetic. Misty passages are created by sfumato, a painting technique of the Renaissance used to soften transitions between colours and create out of focus spatial planes. My painting has become an exploration of negative space or more aptly potential space, the pause between what we perceive and what is actually there.

Exploring the sensation of being limitless, yet totally engaged, where the sky and the earth merge weaving in and out of the winter mist, the mountainous valley cliffs, river and oceans become inseparable. At dusk and dawn when immersed in the water the horizon disappears into a vertiginous swell of sea spray. Mist becomes mystic, mystic becomes mythic.

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