White
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Energy Self-sufficient House 5 b
Lucio Forte
Print - 30 x 30 x 0.1 cm Print - 11.8 x 11.8 x 0 inch
€98
La Rêve De L'arbre Aux Oiseaux
Maria Teresa Bertina
Painting - 100 x 60 cm Painting - 39.4 x 23.6 inch
€4,000
Etude de la place
Eugenia Jaeger
Fine Art Drawings - 42 x 59 cm Fine Art Drawings - 16.5 x 23.2 inch
€700
What do you think ?
Geoffrey Bouillot
Painting - 72 x 60 x 3 cm Painting - 28.3 x 23.6 x 1.2 inch
€3,750
Onde vibratoire blanche 2
Jean-François Contremoulin
Painting - 18 x 24 x 2 cm Painting - 7.1 x 9.4 x 0.8 inch
€240
Croquis de Ned Flanders
Matt Groening
Fine Art Drawings - 20 x 30 x 1 cm Fine Art Drawings - 7.9 x 11.8 x 0.4 inch
€500
Head of a woman
Badriot
Fine Art Drawings - 29 x 21 x 1 cm Fine Art Drawings - 11.4 x 8.3 x 0.4 inch
€500
Portrait with gardenia
Elena Podmarkova
Painting - 91.4 x 61 x 2 cm Painting - 36 x 24 x 0.8 inch
€2,668
Light painting
Jan Brunclík
Photography - 60 x 80 x 0.1 cm Photography - 23.6 x 31.5 x 0 inch
€1,150
Surimpression du Touareg
Françoise Spiekermeier
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
€720
Eggs and Oranges With Vase
Zhang Wei Guang
Painting - 50 x 60 x 2 cm Painting - 19.7 x 23.6 x 0.8 inch
€10,800
The flow of the love
Michaela Skuhrava
Painting - 100 x 150 x 3 cm Painting - 39.4 x 59.1 x 1.2 inch
€5,866
Oranges in a Bowl
Zhang Wei Guang
Painting - 27.5 x 37.5 x 1 cm Painting - 10.8 x 14.8 x 0.4 inch
€7,600
Eggs and Newspaper
Zhang Wei Guang
Painting - 35 x 50 x 1 cm Painting - 13.8 x 19.7 x 0.4 inch
€7,200
Quartier de Villanova Cagliari
Serge Salis
Fine Art Drawings - 28 x 29 x 1 cm Fine Art Drawings - 11 x 11.4 x 0.4 inch
€600
Bâches bleues devant la Salute
Célestin Messaggio
Painting - 81 x 100 x 2 cm Painting - 31.9 x 39.4 x 0.8 inch
€6,900
Vision blanche
Yves Bordes Lapeyre
Photography - 60 x 90 x 0.5 cm Photography - 23.6 x 35.4 x 0.2 inch
€890
3 - La montée de Persephone
Mita Vostok
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
€800
2 - Les âges de la vie - Naguère
Mita Vostok
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
€800
2- Le rapt de Persephone
Mita Vostok
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
€800
Descubrir Arena 0.2
Esther Argelich
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
€2,050
Forest magic (snowdrop) - limited edition of 21
Valentin Zaharia
Photography - 70 x 90 x 1 cm Photography - 27.6 x 35.4 x 0.4 inch
€559
Tribal fish !!!
SP
Fine Art Drawings - 29.7 x 42 x 0.1 cm Fine Art Drawings - 11.7 x 16.5 x 0 inch
€110
Danseuse de porcelaine
Serge Kalinowski
Painting - 116 x 89 x 5 cm Painting - 45.7 x 35 x 2 inch
€2,500
Warhol mania
Cédric Bouteiller
Painting - 150 x 100 x 1 cm Painting - 59.1 x 39.4 x 0.4 inch
€13,000
Ballon de rugby
Les Frères Guinet
Sculpture - 30 x 20 x 20 cm Sculpture - 11.8 x 7.9 x 7.9 inch
€2,400 €1,992
Black panther Blanc ivoire alpha - statue résine pop art street art
DED2008
Sculpture - 16 x 50 x 9 cm Sculpture - 6.3 x 19.7 x 3.5 inch
€800
Water beyond water 14
Fabrice Constant
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
€1,100
First spring, morningwind
J. Paudert
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
€2,600
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!