One paints, the other photographs.
But for both, the boundary between mediums blurs.
Rémy Sirope's figurative oil paintings borrow from the photographic gaze: tight framing, plays of blur, suspended light.
LepoRelo's photographs, on the other hand, move away from reality to enter the realm of painting: materials, colors, textures, and a treatment that evokes the brushstroke.
Between realism and perception, their works respond to each other as two approaches to the same question: where does painting end, where does photography begin?
This dialogue invites the viewer to look differently—to see painting as a capture, and photography as an invention.
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