Corinne Medina Saludo

Corinne Medina Saludo defined the concept of kinesthetic representation, as work on the body, on the borders of Singular Art as it was named by the art critic Pierre Souchaud, and new figurations, always spontaneous, and listening to human nature and his physical and moral condition.

Currently, his painting is moving towards a more narrative figuration, but still mainly through the expressiveness of the body.

Pictorial themes:

Humanism and human condition, women in particular. The human in his relationship with others or nature.

Notice of Criticism:

The works of Corinne Medina-Saludo offer the vision of liberated body of gravity, gravity.

Physiological misery seems to be free of burdens, difficulties of life that plague the minds and annihilate wills. Painting technique, seamlessly footprint, reflects these

states of grace, serenity, where the will, courage, intelligence, seem to find all their grace in the universe of men.

The CMS universe where creatures move was that of air and fire, an intermediate world, more than a dream, unless a reality. A sacred place, raised by a divine breath that gives its colors ...

Air, light, scenes and characters radiate, radiating a contagious and just fullness.

Yvon Birster for the Art Today, Paris, November 2003