Black and White Portraits
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Los Vientos
James Sparshatt
Photography - 150 x 180 x 3 cm Photography - 59.1 x 70.9 x 1.2 inch
£6,181
Above the Clouds #2
Cody Choi
Photography - 76.2 x 101.6 x 0.1 cm Photography - 30 x 40 x 0 inch
£655
Above the clouds #5
Cody Choi
Photography - 50.8 x 76.2 x 0.1 cm Photography - 20 x 30 x 0 inch
£500
Above the clouds #4
Cody Choi
Photography - 50.8 x 76.2 x 0.1 cm Photography - 20 x 30 x 0 inch
£500
Above the clouds #8
Cody Choi
Photography - 50.8 x 76.2 x 0.1 cm Photography - 20 x 30 x 0 inch
£500
Above the clouds #7
Cody Choi
Photography - 50.8 x 76.2 x 0.1 cm Photography - 20 x 30 x 0 inch
£500
Quartier de l'Albacin, Grenade
Yves Brayer
Painting - 19 x 24 x 2.5 cm Painting - 7.5 x 9.4 x 1 inch
£4,892
Dancer: Karolina #1
Cody Choi
Photography - 101.6 x 76.2 x 0.1 cm Photography - 40 x 30 x 0 inch
£455
Above the Clouds #3
Cody Choi
Photography - 76.2 x 101.6 x 0.1 cm Photography - 30 x 40 x 0 inch
£655
Femme à l'écharpe noire
Sounya Whang
Painting - 30 x 40 x 0.1 cm Painting - 11.8 x 15.7 x 0 inch
£827
Jeune courtisane fumant
Sounya Whang
Painting - 40 x 30 x 0.1 cm Painting - 15.7 x 11.8 x 0 inch
£640
Corrida aux Saintes-Maries-de-la-Mer
Yves Brayer
Print - 49.5 x 64.5 cm Print - 19.5 x 25.4 inch
£356
Le repos des cavaliers sur la plage
Yves Brayer
Print - 49.5 x 64.5 cm Print - 19.5 x 25.4 inch
£356
Femme coréenne s'habillant
Sounya Whang
Painting - 40 x 30 x 0.1 cm Painting - 15.7 x 11.8 x 0 inch
£863
Structural Beauty
Alexander Benz
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
£409
Lithographie originale de Yves Brayer
Yves Brayer
Print - 54 x 57 x 0.3 cm Print - 21.3 x 22.4 x 0.1 inch
£222
Black and White Portraits
The allure of black and white. Color can articulate reality and reflect realism, but taking it away focuses on contrast and the use of monochromatic tone to set an atmosphere that draws the viewer in. This increase in impact has been harnessed by photographers since the first successful black and white images were taken by Joseph Nicephore Niepce in the early 19th century, leading to further success in 1825 when he managed to produce a black and white image of a window. Naturally colored photographs would not be developed until 1891 when Lipmann Gabriel applied the phenomenon of optical light wave interface. And yet, the black and white photograph continued, particularly in portraiture. Why? Practically, black and white photographs have a longer archival shelf-life but artistically, color isn’t needed to capture the emotion, depth, expression and indeed reality through dramatic tone and contrast of the figure in front of the lens. You only need to recant Dorothea Lange’s widely circulated Migrant Mother (1936) to see how a single black and white portrait can become a symbol of plight. In our works, artists like Maud Bernos and James Sparshatt favor portraits devoid of color… portraits that draw you the viewer in and leave you to fall into their enduring monochromatic depths.