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Santa Coloma. Fernando Robleño, Las Ventas.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
£6,987
Nous sommes tous des enfants
Jean Valera
Photography - 20 x 30 x 0.3 cm Photography - 7.9 x 11.8 x 0.1 inch
£98
Untitled 22 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£3,279
Untitled 20 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£3,279
Untitled 17 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
£3,279
Untitled 9 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£3,279
Femme à la guitare / Lady with guitar
Eugène Druet
Photography - 43 x 54 x 0.5 cm Photography - 16.9 x 21.3 x 0.2 inch
£2,181
Back lighting. Green
Dora Franco
Photography - 76.2 x 101.6 x 0.3 cm Photography - 30 x 40 x 0.1 inch
£2,049
Phénomènes, Untitled (volcanic eruption #2)
Marina Gadonneix
Photography - 29 x 22.4 x 0.2 cm Photography - 11.4 x 8.8 x 0.1 inch
£125
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
S… like Self Portrait v.3.3..... a 5 Ply Work
LosOtros Mj Tom
Painting - 100 x 355 x 1 cm Painting - 39.4 x 139.8 x 0.4 inch
£3,560
Lewis Hamilton. MacLaren. Espagne. 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
£1,335
Tirages sur papier photo: dépliant X _ 2000
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: deux photos XI_ 1986
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: deux photos V, 1988
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: XXIII 1986
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Photo 111110.4
Gottfried Jäger
Photography - 70 x 70 x 3 cm Photography - 27.6 x 27.6 x 1.2 inch
£6,230
Ayrton Senna. Vainqueur chez lui au Brésil. F1
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
£1,335
Tigre du Bengale. Inde
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
£712
Girafe et girafon. Tanzanie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
£712
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours: Kastanienallee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours: Buanderie dans la cour arrière
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours: L'ange déchu - Église Élisabeth
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours - Oderberger Straße
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours - Kastanien Allee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Série : Berlin nord-est / arrière-cours - Kastanienallee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£2,225
Bridge, Tree and Rock in Fog, Alentejo
Gonçalo Martins
Photography - 27 x 35 x 0.1 cm Photography - 10.6 x 13.8 x 0 inch
£142
Untitled 29 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£3,279
Untitled 11 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£3,279
Untitled 2 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£3,279
Untitled 1 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£3,279
Untitled 14 from the series of INtheVISIBLE
Arslan Sükan
Photography - 180 x 140 x 0.1 cm Photography - 70.9 x 55.1 x 0 inch
£3,689
Untitled 30 from the series of INtheVISIBLE
Arslan Sükan
Photography - 140 x 110 x 0.1 cm Photography - 55.1 x 43.3 x 0 inch
£3,689
Bubble Bath I, Rio De Janeiro, Brazil
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
£2,049
As Palomas. From the Mundo da Sombras Series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
£2,049
Egg, Sao Paulo
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
£2,049
Cry Me a River Belem Do Para
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
£2,049
La série : Orogenèse - Le Gray
Joan Fontcuberta
Photography - 75 x 100 cm Photography - 29.5 x 39.4 inch
£8,900
Vanity tribute to Andy
Ron English
Sculpture - 68 x 54 x 45 cm Sculpture - 26.8 x 21.3 x 17.7 inch
£12,015
Vie secrète
Guillaume Lachapelle
Sculpture - 15 x 12 x 11 cm Sculpture - 5.9 x 4.7 x 4.3 inch
£2,295
Accumulation Orange (013)
Ditno 83
Painting - 130 x 97 x 3 cm Painting - 51.2 x 38.2 x 1.2 inch
£2,314
White Noise
Chien Hua Huang
Photography - 75 x 75 x 4 cm Photography - 29.5 x 29.5 x 1.6 inch
£2,990
Série: Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!