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Dijon, the shadow
Fabien Olart
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
£445
Garde - Photographie argentique - Paris
Jules Gorce
Photography - 30 x 20 x 0.1 cm Photography - 11.8 x 7.9 x 0 inch
£445
Bout Du Monde - Photographie argentique - La Rochelle
Jules Gorce
Photography - 20 x 30 x 0.1 cm Photography - 7.9 x 11.8 x 0 inch
£534
BNFalaise - Photographie argentique - Paris
Jules Gorce
Photography - 20 x 30 x 0.1 cm Photography - 7.9 x 11.8 x 0 inch
£445
2153
Salvatore Arnone
Photography - 89.9 x 69.9 x 0.3 cm Photography - 35.4 x 27.5 x 0.1 inch
£1,959
1915 Thaddée NATANSON
Eugène Druet
Photography - 43 x 54 x 0.5 cm Photography - 16.9 x 21.3 x 0.2 inch
£2,181
Femme à la guitare / Lady with guitar
Eugène Druet
Photography - 43 x 54 x 0.5 cm Photography - 16.9 x 21.3 x 0.2 inch
£2,181
1915 Thaddée NATANSON
Eugène Druet
Photography - 54 x 43 x 0.5 cm Photography - 21.3 x 16.9 x 0.2 inch
£3,071
1915 Gabrielle VALLOTTON
Eugène Druet
Photography - 43 x 54 x 0.5 cm Photography - 16.9 x 21.3 x 0.2 inch
£3,071
1915 Vallotton Bonnard Vuillard K.X.Roussel
Eugène Druet
Photography - 43 x 54 x 0.5 cm Photography - 16.9 x 21.3 x 0.2 inch
£3,961
1915 PORTRAIT Josse et Gaston BERNHEIM
Eugène Druet
Photography - 43 x 54 x 0.5 cm Photography - 16.9 x 21.3 x 0.2 inch
£3,961
1915 Félix JASINSKY
Eugène Druet
Photography - 54 x 43 x 0.5 cm Photography - 21.3 x 16.9 x 0.2 inch
£2,181
1915 Art collector Gertrude STEIN PORTRAIT
Eugène Druet
Photography - 54 x 43 cm Photography - 21.3 x 16.9 inch
£4,406
Back lighting. Green
Dora Franco
Photography - 76.2 x 101.6 x 0.3 cm Photography - 30 x 40 x 0.1 inch
£2,049
Lady Monster and Mr Walker
Martin Kallay
Photography - 75 x 50 cm Photography - 29.5 x 19.7 inch
£1,869
Boogie Woogie (AJ49)
Adrienne Jalbert
Sculpture - 100 x 57 x 57 cm Sculpture - 39.4 x 22.4 x 22.4 inch
£9,790
Dernière séance
Yves Bordes Lapeyre
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
£490
Ayrton Senna Podium Brésil. F1
Dominique Leroy
Photography - 60 x 90 x 1 cm Photography - 23.6 x 35.4 x 0.4 inch
£712
Arrivée de l'American Circus
José Nicolas
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
£1,068
Palmeraie de Fay Largeau
José Nicolas
Photography - 52 x 84 x 1 cm Photography - 20.5 x 33.1 x 0.4 inch
£1,335
Vallée du Jabron
José Nicolas
Photography - 60 x 90 x 1 cm Photography - 23.6 x 35.4 x 0.4 inch
£890
Vallée du Jabron
José Nicolas
Photography - 60 x 90 x 1 cm Photography - 23.6 x 35.4 x 0.4 inch
£1,068
Au pas de l'éphémère
Marie-Fa Lazzari
Photography - 48 x 33 x 1 cm Photography - 18.9 x 13 x 0.4 inch
£423
Deconstructed Beauty - Belvedere Palace
Magda Von Hanau
Photography - 81.3 x 121.9 x 0.3 cm Photography - 32 x 48 x 0.1 inch
£3,279
Div-Ine V
Magda Von Hanau
Photography - 81.3 x 121.9 x 0.3 cm Photography - 32 x 48 x 0.1 inch
£2,049
Div-Ine II
Magda Von Hanau
Photography - 81.3 x 121.9 x 0.3 cm Photography - 32 x 48 x 0.1 inch
£2,049
Div-Ine I
Magda Von Hanau
Photography - 81.3 x 121.9 x 0.3 cm Photography - 32 x 48 x 0.1 inch
£2,049
Phénomènes, Untitled (volcanic eruption #2)
Marina Gadonneix
Photography - 29 x 22.4 x 0.2 cm Photography - 11.4 x 8.8 x 0.1 inch
£125
Série: Se faire passer pour Mao
Nathalie Daoust
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
£2,225
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
£2,225
Couple de grue cendré. Parc de Tarangire. Tanzanie
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
£712
S… like Self Portrait v.3.3..... a 5 Ply Work
LosOtros Mj Tom
Painting - 100 x 355 x 1 cm Painting - 39.4 x 139.8 x 0.4 inch
£3,560
Les trois ponts
Georgii Vinogradov
Photography - 20 x 38 x 0.2 cm Photography - 7.9 x 15 x 0.1 inch
£445
Sandrah # 2
Andreas Sundgren
Photography - 140 x 105 x 0.1 cm Photography - 55.1 x 41.3 x 0 inch
£2,600
Paulina #1
Andreas Sundgren
Photography - 140 x 140 x 0.1 cm Photography - 55.1 x 55.1 x 0 inch
£2,600
Du premier pas
Marie-Fa Lazzari
Photography - 48 x 33 x 1 cm Photography - 18.9 x 13 x 0.4 inch
£285
A letter to my lost childhood
Solomon Jamy Brown
Photography - 100 x 70 cm Photography - 39.4 x 27.6 inch
£2,225
Lewis Hamilton. MacLaren. Espagne. 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
£1,335
Tirages sur papier photo: dépliant X _ 2000
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: deux photos XI_ 1986
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: deux photos V, 1988
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: XXIII 1986
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: dépliant X
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: 2011-III-1-2
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
£13,350
Tirages sur papier photo: 1986-XI-1993
Gottfried Jäger
Photography - 50 x 50 x 3 cm Photography - 19.7 x 19.7 x 1.2 inch
£13,350
Photo 111110.4
Gottfried Jäger
Photography - 70 x 70 x 3 cm Photography - 27.6 x 27.6 x 1.2 inch
£6,230
La Nioulargue voile de Saint Tropez. France 6
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
£1,157
La Nioulargue voile de Saint Tropez. France
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
£1,157
Grain sur les grandes voiles d'Antibes. France
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
£1,157
Les grandes Voile d'Antibes. France
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
£1,157
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!