Omega - Table de salle à manger, 2021

by Sa Company

Design : resin 30.3 x 55.1 x 55.1 inch

£4,020

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9.6/10

About the artwork

Type

Open edition

Signature

Not Signed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Design: resin

Dimensions cm inch

30.3 x 55.1 x 55.1 inch Height x Width x Depth

Framing

Not framed


Tags

Decorative objects

Art deco

Table

Beige

Artwork sold in perfect condition

Artwork location: France

With a lower center of gravity than our other dining tables, Omega conveys a feeling of reassuring solidity. There is in its compact structure a suggestion perhaps of forest cover, or of dancers reaching out to each other. Both are apt for a piece that speaks to the primordial communal experience of sharing food together. Seen another way, Omega evokes a circus tent, and there's the same kind of thrill of anticipation about its clever design. It is smart modern furniture, elegantly styled and conveying subtle luxury in every line and detail. The time spent designing and creating Omega is amply rewarded with the rich experience of enjoying these tables in the company of your loved ones.

We are opposed to the standardization of the mass product. We abhor uniformity. We oppose the coercion of geometry. We believe modern technology frees designers to embrace the influences of the natural world. Our imaginations soar, unleashed by the possibilities of digital design and new aquatic, wild and free, and we learn from it.

We recognize two deities, without being their worshippers: Eris, goddess of chaos, whose certain secrets were revealed when mathematicians unlocked the formulas that revealed the structures of flowers, clouds, those shapes that had captivated us in the nature but escaped our understanding. Eros, god of love, whose power we will never truly understand and whose passions drive us to the heights of human excellence, to reach the peak of our abilities in the name of something with exits beyond the language and pulsations in each of us.

With these twin influences that shape our thinking, we aim to capture forms that would not exist without us to bring them into the world. Being moved by what I haven't experienced before. Being comfortable with ambiguity and being guided by our hearts when mapping the unknown. Our conception is about relationships, and in particular those of nature and the human body. We don't respond as problem solvers, but as poets.

Our credo is one of beauty and how beauty could find new forms in this era of technical genius. By offering new forms to the world, we wish to improve the lives of those who encounter what we do in our work. We want people to engage in what we do with joy, with sensual appreciation, with joy and curiosity, with a renewed sense of possibility. Above all, we reject the linear, both as a design element and as a style of thinking. This glorious world we inhabit was not designed for the convenience of straight lines. Its principles are beyond our understanding, and only by seeking to approach them can we approach a state of being that reflects the truth of our environment.
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About the seller

Galerie Maryam Ahi • France

Artsper seller since 2018

Vetted Seller

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Sa Company

Sa Company

Italy  • 2010

Founded in 2010 and based in Milan, we are a company dedicated to furniture and construction, and are also involved in architecture and interior design projects. Although the business is now in its 6th year, our founders bring two decades of experience to the work we do and have established a reputation for inventive and practical work across Europe and beyond, acquiring clients renowned as we grow.

Creating a design solution for BMW? We still smile. The pieces we create are varied. What they share is a philosophy in fact, less a way of thinking than a way of existing in the world, more nature and the human body than any theorist or school of design. We are stillness and we want to maintain this new perspective.

We know that we know very little - and that we can learn. And we learn best from nature's solutions, it turns out. This approach explains the very distinctive aspect of our work. We are confident in creating pieces that look radical, we recognize something that nature has done forever. We consider ourselves lucky to live in a time when computer technologies allow us to design and instruct forms that would have been impossible with traditional methods. We also have access to materials that in some cases didn't even exist a few years ago, and the production capacity to make up to 100 of each model in a year. Mother Nature is an exquisite teacher. And we continue to learn, and look forward to learning more, in the years to come.


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